{"id":37778,"date":"2011-07-02T14:11:44","date_gmt":"2011-07-02T12:11:44","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=37778"},"modified":"2011-07-02T14:11:44","modified_gmt":"2011-07-02T12:11:44","slug":"henrik-berggren-lamnar-knappast-nagon-oberord-the-strokes-bjuder-pa-hitkavalkad","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=37778","title":{"rendered":"Henrik Berggren l\u00e4mnar knappast n\u00e5gon ober\u00f6rd, The Strokes bjuder p\u00e5 hitkavalkad men blir tr\u00e5kiga i l\u00e4ngden"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2011\/07\/henrik-berggren.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2011\/07\/henrik-berggren-300x200.jpg\" alt=\"\" title=\"henrik berggren\" width=\"300\" height=\"200\" class=\"aligncenter size-medium wp-image-38135\" \/><\/a><\/p>\n<p><strong>Henrik Berggren<\/strong><br \/>\nScen: El Dorado<br \/>\nBetyg: 4<\/p>\n<p>Avskalat och hj\u00e4rtsk\u00e4rande n\u00e4r Henrik Berggren framf\u00f6rde popklassiker som <em>When We Were Winning<\/em>, <em>Shoreline<\/em> och <em>No Time for Us<\/em>. Med sig p\u00e5 scen hade den forne Broder Daniel-s\u00e5ngaren en trumpetist och en bakgrundss\u00e5ngare.<\/p>\n<p>Henrik Berggrens br\u00e4ckliga s\u00e5ng tillsammans med trumpetmelodierna tr\u00e4ngde sig igenom regnet som egentligen bara bidrog till den sk\u00f6ra och lite hoppl\u00f6sa st\u00e4mningen.<\/p>\n<p>B\u00e4st var <em>When We Were Winning<\/em> \u2013 en l\u00e5t som han ber\u00e4ttade handlar om allt. En l\u00e5t som knappast l\u00e4mnar n\u00e5gon ober\u00f6rd.<\/p>\n<p>Nu \u00e4r fr\u00e5gan n\u00e4r han sl\u00e4pper sitt efterl\u00e4ngtade soloalbum.<\/p>\n<p><strong>The Strokes<\/strong><br \/>\nScen: Utopia<br \/>\nBetyg: 3<\/p>\n<p>The Strokes rev av alla sina obligatoriska hits p\u00e5 festivalens st\u00f6rsta scen. N\u00e4r Julian Casablanca tog de f\u00f6rsta tonerna i <em>Is This It<\/em> k\u00e4ndes det som att det fanns alla f\u00f6ruts\u00e4ttningar f\u00f6r att bli en magisk kv\u00e4ll. N\u00e4r de till allas f\u00f6rtjusning n\u00e5got senare \u00e4ven framf\u00f6rde <em>Someday<\/em> var den k\u00e4nslan \u00e4nnu starkare.<\/p>\n<p>Men sen h\u00e4nde det n\u00e5got. Nya l\u00e5tar som <em>Machu Picchu<\/em> \u00e4r trista och hur coola bandet \u00e4n ser ut att vara p\u00e5 scen blir det f\u00f6rv\u00e5nansv\u00e4rt sv\u00e5rt att f\u00f6rs\u00f6ka h\u00e5lla intresset uppe genom hela konserten.<\/p>\n<p>Det \u00e4r knappast n\u00e5gon slump att det \u00e4r l\u00e5tarna fr\u00e5n debutskivan som \u00e4r b\u00e4st, det \u00e4r ju ett av de senaste tio \u00e5rens b\u00e4sta album och <em>Last Nite<\/em> \u00e4r som vanligt en riktig partyd\u00e4nga.<\/p>\n<p>Kanske hade det blivit b\u00e4ttre om de spelat l\u00e5tar fr\u00e5n Julian Casablancas soloskiva ist\u00e4llet f\u00f6r senaste The Strokes-skivan.<\/p>\n<p>Foto: Emma Andersson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Henrik Berggren Scen: El Dorado Betyg: 4 Avskalat och hj\u00e4rtsk\u00e4rande n\u00e4r Henrik Berggren framf\u00f6rde popklassiker som When We Were Winning, Shoreline och No Time for Us. Med sig p\u00e5 scen hade den forne Broder Daniel-s\u00e5ngaren en trumpetist och en bakgrundss\u00e5ngare. Henrik Berggrens br\u00e4ckliga s\u00e5ng tillsammans med trumpetmelodierna tr\u00e4ngde sig igenom regnet som egentligen bara bidrog [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[2258,4290,5805],"class_list":["post-37778","post","type-post","status-publish","format-standard","category-musik","tag-henrik-berggren","tag-peace-love","tag-the-strokes","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/37778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37778"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/37778\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}