{"id":36397,"date":"2011-05-31T21:05:51","date_gmt":"2011-05-31T19:05:51","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=36397"},"modified":"2012-05-18T10:05:03","modified_gmt":"2012-05-18T08:05:03","slug":"kulturbloggen-rapporterar-fran-the-cures-spelning-i-operahuset-i-sydney","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=36397","title":{"rendered":"En tidsl\u00f6s tillbakablick p\u00e5 m\u00e4sterverk som alltid kommer f\u00f6rbli angel\u00e4gna – Kulturbloggen rapporterar fr\u00e5n The Cures spelning i Operahuset i Sydney"},"content":{"rendered":"

Vad: The Cure
\nVar: Operahuset i Sydney
\nNar: 31 maj 2011<\/em> <\/p>\n

Festivalsommaren har \u00e4ntligen dragit ig\u00e5ng. Kulturbloggens skribent \u00e5kte till Vivid Live i Sydney f\u00f6r att se The Cure framf\u00f6ra sina tre f\u00f6rsta album i sin helhet.<\/p>\n

The Cure slog igenom i en tid d\u00e5 musikv\u00e4rlden fortfarande var under utveckling – deras debutalbum Three Imaginary Boys<\/em> sl\u00e4pptes 1979 – och med facit i hand kan man konstatera att det \u00e4r f\u00e5 band som betytt lika mycket f\u00f6r musikens utveckling. N\u00e4r The Cure \u00e5terupplivade sina \u00f6ver trettio \u00e5r gamla m\u00e4sterverk var det extra intressant att se hur ett av historiens mest inflytelserika band fann sitt uttryck.<\/p>\n

Vad som b\u00f6rjar i rytmisk Buzzcocks-inspirerad punk mynnar ut i minimalistisk new wave – och bandet har lyckats beh\u00e5lla en skrpa och en fokus som g\u00f6r dem aktuella \u00e4n idag.<\/p>\n

Three Imaginary Boys<\/em> balanserar st\u00e4ndigt mellan allvar och nonsens – det mest sp\u00e4nnande var att h\u00f6ra So What<\/em> vars text \u00e4r tagen fr\u00e5n baksidan av ett mj\u00f6lkpaket.<\/p>\n

Bandets andra skiva, Seventeen Seconds<\/em>, \u00e4r desto mer nedst\u00e4md – det atmosf\u00e4riska ljudlandskapet \u00e4r som taget frpn Low<\/em>, eller n\u00e5got annat av David Bowies finaste stunder. A Forest <\/em>\u00e4r dessutom, om inte tidernas b\u00e4sta l\u00e5t, en av bandets viktigaste singlar.<\/p>\n

P\u00e5 Faith<\/em> bes\u00f6ker bandet mer sp\u00f6klika, \u00f6desm\u00e4ttade och monotona territorier. F\u00f6rutom titelsp\u00e5ret \u00e4r den hoppl\u00f6st sorgsna The Funeral Pary <\/em>skivans h\u00f6jdpunkt.<\/p>\n

Den n\u00e4stan fyra timmar l\u00e5nga konserten – som filmades in och ska ges ut p\u00e5 dvd med titeln The Cure: Reflections <\/em>– visade att bandets karri\u00e4r best\u00e5tt av betydligt mer \u00e4n h\u00e5rspray och make-up. Det var egentligen bara de tre sista extranumren som antydde vilket fantastiskt popband The Cure skulle bli.<\/p>\n

Och gamla bandmedlemmar, som Lol Tolhurst som inte spelat med bandet sedan 1989, var med p\u00e5 scen f\u00f6r att markera att det var trettio \u00e5r sedan de sl\u00e4ppte Faith<\/em>-skivan<\/p>\n

F\u00f6ljande latar spelades:<\/p>\n

10:15 Saturday Night
\nAccuracy
\nGrinding Halt
\nAnother Day
\nObject
\nSubway Song
\nFoxy Lady (Jimi Hendrix-cover)
\nMeathook
\nSo What
\nFire in Cairo
\nIt’s Not You
\nThree Imaginary Boys
\nA Reflection
\nPlay for Today
\nSecrets
\nIn Your House
\nForever (Three)
\nThe Final Sound
\nA Forest
\nM
\nAt Night
\nSeventeen Seconds
\nHoly Hour
\nPrimary
\nOther Voices
\nAll Cats Are Grey
\nThe Funeral Pary
\nDoubt
\nThe Drowning Man
\nFaith
\nWorld War
\nI’m Cold
\nPlastic Passion
\nBoys Don’t Cry
\nKilling an Arab
\nJumping Someone Else’s Train
\nAnother Journey by Train
\nDescent
\nSplintered in Her Head
\nCharlotte Sometimes
\nThe Hanging Garden
\nLet’s Go to Bed
\nThe Walk
\nThe Lovecats<\/em><\/p>\n

H\u00e4r kan du se bilder fr\u00e5n konserten<\/p>\n

SMH.com<\/a><\/p>\n

The Music Network<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Vad: The Cure Var: Operahuset i Sydney Nar: 31 maj 2011 Festivalsommaren har \u00e4ntligen dragit ig\u00e5ng. Kulturbloggens skribent \u00e5kte till Vivid Live i Sydney f\u00f6r att se The Cure framf\u00f6ra sina tre f\u00f6rsta album i sin helhet. The Cure slog igenom i en tid d\u00e5 musikv\u00e4rlden fortfarande var under utveckling – deras debutalbum Three Imaginary […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[16],"tags":[5561,5723],"class_list":{"0":"post-36397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recension","7":"tag-sydney","8":"tag-the-cure","9":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/36397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36397"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/36397\/revisions"}],"predecessor-version":[{"id":54538,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/36397\/revisions\/54538"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}