{"id":30666,"date":"2011-02-17T00:35:10","date_gmt":"2011-02-16T23:35:10","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=30666"},"modified":"2011-02-17T00:35:10","modified_gmt":"2011-02-16T23:35:10","slug":"bright-eyes-pa-debaser-medis","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=30666","title":{"rendered":"Bright Eyes p\u00e5 Debaser Medis"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2011\/02\/bright-eyes-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2011\/02\/bright-eyes-2-300x295.jpg\" alt=\"\" title=\"bright eyes 2\" width=\"300\" height=\"295\" class=\"aligncenter size-medium wp-image-30668\" \/><\/a><\/p>\n<p>Huvudbandet Bright Eyes liksom f\u00f6rbandet First Aid Kit beskrivs b\u00e4st som talangfulla.<\/p>\n<p>Den fr\u00e4msta anledningen till att Bright Eyes \u00e4r ett s\u00e5 intressant liveband (ett s\u00e5 intressant band \u00f6verhuvudtaget) \u00e4r s\u00e4ttet s\u00e5ngaren Conor Obersts omissk\u00e4nneliga vibrato lyckas f\u00e5nga en k\u00e4nsla av desperation, \u00e4rlighet och hoppl\u00f6shet som \u00e4r v\u00e4ldigt enkel att relatera till. <\/p>\n<p>N\u00e5got annat som bidrar till st\u00e4mningen under konserten \u00e4r hur p\u00e5taglig publikens k\u00e4rlek till bandet \u00e4r \u2013 att Debaser Medis \u00e4r helt sluts\u00e5lt g\u00f6r detta inte mindre effektfullt.<\/p>\n<p>Konsertens k\u00e4nslosammaste \u00f6gonblick var nog n\u00e4r Conor Oberst fick s\u00e4llskap av systrarna i First Aid Kit under <em>Lua<\/em> som framf\u00f6rdes precis innan extranumren.<\/p>\n<p>En annan l\u00e5t jag b\u00f6rjar gilla allt mer och mer \u00e4r <em>Shell Games<\/em> som \u00e4r en av de starkaste l\u00e5tarna ifr\u00e5n senaste skivan <em>The People&#8217;s Key<\/em>.<\/p>\n<p>Ljudet hade en tendens att bli aningen otydligt under vissa l\u00e5tar, vilket kan ha berott p\u00e5 att bandet (om jag r\u00e4knade r\u00e4tt) bestod av sju personer. Att Conor Oberst r\u00e5kade v\u00e4lta mikrofonstativet och trassla in sig i sladdar ett flertal g\u00e5nger var dock enbart charmigt.<\/p>\n<p>Innan konserten avslutades med att Conor hoppade ut i publikhavet hann han med att lova att bandet skulle \u00e5terv\u00e4nda till Sverige i sommar &#8211; det blir definitivt en konsert att se fram emot.<\/p>\n<p>Kulturbloggen tr\u00e4ffade bandet f\u00f6r en intervju som du kan l\u00e4sa <a href=\"http:\/\/kulturbloggen.com\/?p=30702\">h\u00e4r<\/a>.<\/p>\n<p>S\u00e5 h\u00e4r tyckte <a href=\"http:\/\/www.aftonbladet.se\/nojesbladet\/musik\/rockbjornen2011\/article8583547.ab\">Aftonbladet<\/a> och <a href=\"http:\/\/www.expressen.se\/noje\/recensioner\/konsert\/1.2333689\/bright-eyes-ar-ett-panyttfott-band\">Expressen<\/a> om konserten.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Huvudbandet Bright Eyes liksom f\u00f6rbandet First Aid Kit beskrivs b\u00e4st som talangfulla. Den fr\u00e4msta anledningen till att Bright Eyes \u00e4r ett s\u00e5 intressant liveband (ett s\u00e5 intressant band \u00f6verhuvudtaget) \u00e4r s\u00e4ttet s\u00e5ngaren Conor Obersts omissk\u00e4nneliga vibrato lyckas f\u00e5nga en k\u00e4nsla av desperation, \u00e4rlighet och hoppl\u00f6shet som \u00e4r v\u00e4ldigt enkel att relatera till. N\u00e5got annat som [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[841,1189,1763,3368,5784],"class_list":["post-30666","post","type-post","status-publish","format-standard","category-musik","tag-bright-eyes","tag-debaser-medis","tag-first-aid-kit","tag-lua","tag-the-peoples-key","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/30666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30666"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/30666\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}