{"id":26820,"date":"2010-11-25T15:05:10","date_gmt":"2010-11-25T14:05:10","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=26820"},"modified":"2012-03-05T21:07:07","modified_gmt":"2012-03-05T20:07:07","slug":"marina-har-vuxit-in-i-rollen-som-popstjarna","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=26820","title":{"rendered":"Marina har vuxit in i rollen som popstj\u00e4rna"},"content":{"rendered":"<p>Marina &#038; The Diamonds har ett speciellt f\u00f6rh\u00e5llande till Sverige och i veckan n\u00e5dde hennes senaste turn\u00e9 <em>The Burger Queen Tour<\/em> s\u00e5v\u00e4l Stockholm som G\u00f6teborg.<\/p>\n<p>F\u00f6rutom <em>Seventeen<\/em> och nya l\u00e5ten <em>Jealousy<\/em> spelade hon enbart l\u00e5tar fr\u00e5n debutskivan <em>The Family Jewels<\/em>:<\/p>\n<p><em>The Outsider<br \/>\nGirls<br \/>\nSeventeen<br \/>\nAre You Satisfied?<br \/>\nHermit the Frog<br \/>\nI&#8217;m Not a Robot<br \/>\nObsessions<br \/>\nJealousy<br \/>\nOh No!<br \/>\nShampain<br \/>\nMowgli&#8217;s Road<br \/>\nGuilty<\/em><\/p>\n<p>Extranummer:<br \/>\n<em>Numb<br \/>\nHollywood<\/em><\/p>\n<p>Spelningen p\u00e5 Nalen var mer visuell med kl\u00e4dbyten och storbildsk\u00e4rm medan spelningen p\u00e5 Pusterviksbaren mer var som en ovanligt glamor\u00f6s klubbspelning, annars var de tv\u00e5 spelningarna i stort sett identiska. \u00c4nd\u00e5 var b\u00e5da konsertlokalerna f\u00f6r sm\u00e5 f\u00f6r att vi skulle kunna f\u00e5 njuta av <em>The Burger Queen Tour<\/em> i full produktion.<\/p>\n<p><em>I&#8217;m Not a Robot<\/em> (som s\u00e4kert \u00f6kat en del i popularitet efter att ha anv\u00e4nts i Lindex-reklamen) f\u00f6ljt av den nedskalade <em>Obsessions<\/em>.<\/p>\n<p>De dunkande <em>Shampain<\/em> och <em>Mowgli&#8217;s Road<\/em> d\u00e4r publiken uppmanas att hoppa.<\/p>\n<p><em>Hollywood<\/em> som p\u00e5 n\u00e5got s\u00e4tt k\u00e4nns som en sj\u00e4lvklar avslutning p\u00e5 <em>The Burger Queen Tour<\/em>.<\/p>\n<p>Det \u00e4r otroligt hur m\u00e5nga hits den f\u00e4rgsprakande s\u00e5ngaren lyckats skriva p\u00e5 s\u00e5 kort tid i rampljuset och efter ett \u00e5r av flitigt turnerande har hennes stj\u00e4rnglans och scenn\u00e4rvaro blivit en s\u00e5dan sj\u00e4lvklarhet att hon har publiken i sitt v\u00e5ld direkt efter f\u00f6rsta tonen.<\/p>\n<p>Det \u00e4r inte l\u00e4ngre n\u00e5gon tvekan. J\u00e4mf\u00f6rt med spelningen p\u00e5 Way Out West i somras har hennes r\u00f6st utvecklats s\u00e5 mycket att den nu dr\u00e4nker hela lokalen. Marina har vuxit in i rollen som popstj\u00e4rna.<\/p>\n<p>S\u00e5 h\u00e4r har n\u00e5gra andra medier skrivit om konsertena:<\/p>\n<p><a href=\"http:\/\/www.dn.se\/kultur-noje\/konsertrecensioner\/marina-the-diamonds-pa-nalen-stockholm-1.1214993\">Dagens Nyheter<\/a><br \/>\n<a href=\"http:\/\/www.aftonbladet.se\/nojesbladet\/musik\/recensioner\/article8164966.ab\">Aftonbladet<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marina &#038; The Diamonds har ett speciellt f\u00f6rh\u00e5llande till Sverige och i veckan n\u00e5dde hennes senaste turn\u00e9 The Burger Queen Tour s\u00e5v\u00e4l Stockholm som G\u00f6teborg. F\u00f6rutom Seventeen och nya l\u00e5ten Jealousy spelade hon enbart l\u00e5tar fr\u00e5n debutskivan The Family Jewels: The Outsider Girls Seventeen Are You Satisfied? Hermit the Frog I&#8217;m Not a Robot Obsessions [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-26820","post","type-post","status-publish","format-standard","category-musik","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/26820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26820"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/26820\/revisions"}],"predecessor-version":[{"id":50163,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/26820\/revisions\/50163"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26820"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}