{"id":23428,"date":"2010-08-31T09:10:24","date_gmt":"2010-08-31T07:10:24","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=23428"},"modified":"2010-08-31T09:10:24","modified_gmt":"2010-08-31T07:10:24","slug":"accept-blood-of-the-nations-hardrock-som-traffar-ratt","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=23428","title":{"rendered":"Accept: "Blood Of The Nations": h\u00e5rdrock som tr\u00e4ffar r\u00e4tt"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Blood Of The Nations \u00e4r tyska Accepts f\u00f6rsta studioalbum p\u00e5 tio \u00e5r och det f\u00f6rsta med Mark Tornillo p\u00e5 s\u00e5ng. Producerat av Andy Sneap som bland annat producerat Megadeth.<\/p>\n

Det \u00e4r klassisk heavy metal i fotsp\u00e5ren p\u00e5 Iron Maiden. Kanske Accept inte sj\u00e4lva vill skriva under p\u00e5 det, men vad jag menar \u00e4r att albumet har flera sp\u00e5r som \u00e4r mer ber\u00e4ttelser, p\u00e5 samma s\u00e4tt som Iron Maidens stora s\u00e5nger.<\/p>\n

Det tyska heavy metal-bandet Accept fr\u00e5n Solingen grundades i b\u00f6rjan av 1970-talet av Udo Dirkschneider och Michael Wagener. Idag \u00e4r Mark Tornillo s\u00e5ngare i bandet och det senaste albumet Blood of the Nations sl\u00e4pptes 20 augusti 2010 i Europa. Amerikanarna f\u00e5r v\u00e4nta till mitten av september p\u00e5 albumet.<\/p>\n

Accept har haft ett par \u00e5terf\u00f6reningar. 2005 gjorde bandet en \u00e5terf\u00f6reningsturn\u00e9 med vad som n\u00e4stan kan betecknas som sin ursprungliga upps\u00e4ttning, med Herman Frank som andra gitarrist och Stefan Schwarzmann som trummis.<\/p>\n

L\u00e5tf\u00f6rteckning<\/p>\n

1. Beat the Bastards
\n 2. Teutonic Terror
\n 3. The Abyss
\n 4. Blood of the Nations
\n 5. Shades of Death
\n 6. Locked and Loaded
\n 7. Kill the Pain
\n 8. Rollin’ Thunder
\n 9. Pandemic
\n 10. New World Comin’
\n 11. No Shelter
\n 12. Bucketful of Hate<\/p>\n

The Abyss \u00e4r mitt favoritsp\u00e5r, kanske just f\u00f6r att det har en s\u00e5dan d\u00e4r ber\u00e4ttande attityd som Iron Maidens b\u00e4sta.
\nJag f\u00e5r s\u00e4kert p\u00e5 n\u00f6ten av h\u00e5rdrocks\/metalexperter. Men d\u00e5 f\u00e5r det blir s\u00e5.
\nJag \u00e4r ingen expert p\u00e5 metal-musik, men jag gillar st\u00e4mningen och k\u00e4nslan i Accepts nya album.<\/p>\n

* Mark Tornillo – S\u00e5ng
\n * Wolf Hoffmann – Gitarr
\n * Herman Frank – Gitarr
\n * Peter Baltes – Bas
\n * Stefan Schwarzmann – Trummor<\/p>\n

MetalStorm<\/a> har rankat skivan som en av de tjugo hetaste skivsl\u00e4ppen i \u00e5r.<\/p>\n

Bandets officiella webbplats.<\/a><\/p>\n

Aftonbbladet gav betyg 3<\/a> liksom G\u00f6teborgsposten.<\/a><\/p>\n

L\u00e4s \u00e4ven andra bloggares \u00e5sikter om h\u00e5rdrock<\/a>, metal<\/a>, skivnytt<\/a>, recensioner<\/a>, Accept<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Blood Of The Nations \u00e4r tyska Accepts f\u00f6rsta studioalbum p\u00e5 tio \u00e5r och det f\u00f6rsta med Mark Tornillo p\u00e5 s\u00e5ng. Producerat av Andy Sneap som bland annat producerat Megadeth. Det \u00e4r klassisk heavy metal i fotsp\u00e5ren p\u00e5 Iron Maiden. Kanske Accept inte sj\u00e4lva vill skriva under p\u00e5 det, men vad jag menar \u00e4r att albumet […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,16,22],"tags":[131,2362,3618,4670,5121],"class_list":{"0":"post-23428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"category-recension","8":"category-skivor","9":"tag-accept","10":"tag-hardrock","11":"tag-metal","12":"tag-recensioner","13":"tag-skivnytt","14":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/23428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23428"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/23428\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}