{"id":23197,"date":"2010-08-24T15:50:24","date_gmt":"2010-08-24T13:50:24","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=23197"},"modified":"2011-11-24T18:36:46","modified_gmt":"2011-11-24T17:36:46","slug":"morrissey-jubilerar-och-bjuder-pa-tidigare-outgivet","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=23197","title":{"rendered":"Morrissey jubilerar och bjuder p\u00e5 tidigare outgivet"},"content":{"rendered":"<p>Kul f\u00f6r Morrisseys m\u00e5nga svenska fans:<br \/>\nF\u00f6r att fira 20-\u00e5rsjubileet av stors\u00e4ljaren Bona Drag sl\u00e4pper Morrissey en remastrad Special Edition av Bona Drag. Albumet sl\u00e4pps den 6 oktober p\u00e5 den \u00e5teruppv\u00e4ckta 60-talsetiketten Major Minor.<\/p>\n<p>H\u00e4r ett pressmeddelande om detta, p\u00e5 engelska:<\/p>\n<p>Originally released to much acclaim in October 1990, Bona Drag perfectly captures Morrissey\u2019s effortless transition in becoming a solo artist. It brings together his exceptional first seven singles, four of which went Top 10: his triumphant Top 5 debut, \u2018Suedehead\u2019; the anthemic, apocalyptic lament to wet seaside towns, \u2018Everyday Is Like Sunday\u2019; \u2018Interesting Drug\u2019, and &#8217;The Last Of The Famous International Playboys&#8217;. The Top 20s &#8217;Ouija Board, Ouija Board&#8217;, &#8217;November Spawned A Monster&#8217; and &#8217;Piccadilly Palare&#8217;, and a selection of high quality b-sides from all the singles, completes the album.<\/p>\n<p>The compilation has now been remastered and overseen by Morrissey, and is updated with the addition of six previously unreleased and much coveted songs from the era:<\/p>\n<p>&#8211;     Happy Lovers At Last United (Outtake from \u2018Sunday\u2019 sessions)<\/p>\n<p>&#8211;     Lifeguard On Duty (Outtake from Viva Hate sessions)<\/p>\n<p>&#8211;     Please Help The Cause Against Loneliness (demo)<\/p>\n<p>      (Outtake from Viva Hate)<\/p>\n<p>&#8211;     Oh Phoney (Outtake from Bona Drag sessions)<\/p>\n<p>&#8211;     The Bed Took Fire (early version of \u2018At Amber\u2019)<\/p>\n<p>&#8211;     Let The Right One Slip In (alternate long mix)*<\/p>\n<p>Directing the artwork for the reissue, Morrissey has chosen to return the cover art &#8211; taken from the \u2018November\u2019 video &#8211; back to its natural colour, so his shirt is black. In addition, he has also decided to update the back and inner artwork with a selection of favourite, hand-picked and rarely-seen photos.<\/p>\n<p>The LP version will be a double heavyweight 180g vinyl, housed in a wide-spine sleeve with a pull-out poster. The CD will be housed in a gatefold, card sleeve with an eight-page booklet, which will contain the aforementioned photos.<\/p>\n<p>A week before the Bona Drag release, the classic Morrissey single Everyday Is Like Sunday is released in three formats on September 28: two 7&#8243; vinyl releases with previously unreleased B-sides and a enhanced CD single which includes a.o. an incredibly rare TOTP performance, which is unavailable anywhere, including YouTube.<\/p>\n<p>Major Minor Records was started by Radio Caroline manager, Phil Solomon. Its truly eclectic roster of artists and singles releases makes it a perfect home for Morrissey.<\/p>\n<p>\u2018Bona Drag\u2019 tracklisting<\/p>\n<p>1.   Piccadilly Palare<\/p>\n<p>2.   Interesting Drug<\/p>\n<p>3.   November Spawned A Monster<\/p>\n<p>4.   Will Never Marry<\/p>\n<p>5.   Such A Little Thing Makes Such A Big Difference<\/p>\n<p>6.   The Last Of The Famous International Playboys<\/p>\n<p>7.   Ouija Board, Ouija Board<\/p>\n<p>8.   Hairdresser On Fire<\/p>\n<p>9.   Everyday Is Like Sunday<\/p>\n<p>10. He Knows I\u2019d Love To See Him<\/p>\n<p>11. Yes, I Am Blind<\/p>\n<p>12. Lucky Lisp<\/p>\n<p>13. Suedehead<\/p>\n<p>14. Disappointed<\/p>\n<p>15. Happy Lovers At Last United Previously unreleased<\/p>\n<p>16. Lifeguard On Duty Previously unreleased<\/p>\n<p>17. Please Help The Cause Against Loneliness Previously unreleased<\/p>\n<p>18. Oh Phoney Previously unreleased<\/p>\n<p>19. The Bed Took Fire Previously unreleased<\/p>\n<p>20. Let The Right One Slip In  Alt. long mix, previously unreleased<\/p>\n<p>L\u00e4s \u00e4ven andra bloggares \u00e5sikter om <a href=\"http:\/\/bloggar.se\/om\/Morrissey\" rel=\"tag\">Morrissey<\/a>, <a href=\"http:\/\/bloggar.se\/om\/skivnytt\" rel=\"tag\">skivnytt<\/a>, <a href=\"http:\/\/bloggar.se\/om\/musik\" rel=\"tag\">musik<\/a>, <a href=\"http:\/\/bloggar.se\/om\/popmusik\" rel=\"tag\">popmusik<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kul f\u00f6r Morrisseys m\u00e5nga svenska fans: F\u00f6r att fira 20-\u00e5rsjubileet av stors\u00e4ljaren Bona Drag sl\u00e4pper Morrissey en remastrad Special Edition av Bona Drag. Albumet sl\u00e4pps den 6 oktober p\u00e5 den \u00e5teruppv\u00e4ckta 60-talsetiketten Major Minor. H\u00e4r ett pressmeddelande om detta, p\u00e5 engelska: Originally released to much acclaim in October 1990, Bona Drag perfectly captures Morrissey\u2019s effortless [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":44578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[3784,12282,4436,5121],"class_list":{"0":"post-23197","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"tag-morrissey","9":"tag-musik","10":"tag-popmusik","11":"tag-skivnytt","12":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/23197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23197"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/23197\/revisions"}],"predecessor-version":[{"id":44579,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/23197\/revisions\/44579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/44578"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}