{"id":22052,"date":"2010-07-17T00:27:15","date_gmt":"2010-07-16T22:27:15","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=22052"},"modified":"2010-07-17T00:27:15","modified_gmt":"2010-07-16T22:27:15","slug":"the-big-pink-definierar-vad-musik-oftare-borde-handla-om","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=22052","title":{"rendered":"The Big Pink definierar vad musik oftare borde handla om"},"content":{"rendered":"

\"\"<\/a>
\nEn lyckad revolution handlar om att vara p\u00e5 r\u00e4tt plats vid r\u00e4tt tillf\u00e4lle. Det \u00e4r precis vad The Big Pink g\u00f6r. De revolutionerar musikv\u00e4rlden med sin digitalisering av shoegaze. Detta leder till att de till skillnad fr\u00e5n sina f\u00f6reg\u00e5ngare \u00e4ven kan skapa en tydlig ljudbild i live-sammanhang.<\/p>\n

”Velvet” kanske \u00e4r 2000-talets b\u00e4sta l\u00e5t. Den definierar vad musik oftare borde handla om: innovation. Att v\u00e4cka k\u00e4nslor p\u00e5 s\u00e4tt ingen annan gjort tidigare.<\/p>\n

De lyckas till och med att f\u00e5 en Beyonce-cover att framst\u00e5 som fin och dr\u00f6mlik.
\nPublikfavoriterna ”Tonight” och den sj\u00e4lvklara avslutningen med ”Dominos” \u00e4r b\u00e5da exempel p\u00e5 hur The Big Pink lyckas g\u00f6ra perfekta popl\u00e5tar av My Bloody Valentines kvarlevor.<\/p>\n

Publiken stannade kvar l\u00e5ngt efter att konserten avslutades och sj\u00f6ng p\u00e5 ”Dominos”.<\/p>\n

N\u00e5gon bredvid mig i publiken ber att f\u00e5 l\u00e5na min penna och skriver 4+ i min anteckningsbok med det bifogade meddelandet: Den b\u00e4sta konserten hittills.<\/em><\/p>\n

Sj\u00e4lv tycker jag det \u00e4r tj\u00e4nstefel att ge konserten n\u00e5got mindre \u00e4n 5+.<\/p>\n

Fakta om The Big Pink fr\u00e5n Wikipedia:<\/a><\/p>\n

The Big Pink are an electro-rock duo from London, England, comprising multi-instrumentalists Robbie Furze and Milo Cordell. The duo signed to the 4AD label in 2009, and won the prestigious NME Philip Hall Radar Award for best new act.
\nTo date, they have released five singles, with their debut album A Brief History of Love released in September 2009.<\/p><\/blockquote>\n

The Big Pink p\u00e5 Myspace.<\/a><\/p>\n

The Big Ping – hemsida.<\/a><\/p>\n

<\/embed><\/object>
\n
\nMer hos Kulturbloggen fr\u00e5n Arvika<\/strong>
\nPer Egland p\u00e5 Arvikafestivalen<\/a>
\nRegina Spektor och Kent p\u00e5 Arvikafestivalen<\/a>
\n[ingenting] p\u00e5 Arvikafestivalen<\/a>
\nJohnossi<\/a>
\nYeasayer<\/a><\/p>\n

L\u00e4s \u00e4ven andra bloggares \u00e5sikter om musik<\/a>, musikfestivaler<\/a>, Arvika<\/a>, shoegaze<\/a>, The big pink<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

En lyckad revolution handlar om att vara p\u00e5 r\u00e4tt plats vid r\u00e4tt tillf\u00e4lle. Det \u00e4r precis vad The Big Pink g\u00f6r. De revolutionerar musikv\u00e4rlden med sin digitalisering av shoegaze. Detta leder till att de till skillnad fr\u00e5n sina f\u00f6reg\u00e5ngare \u00e4ven kan skapa en tydlig ljudbild i live-sammanhang. ”Velvet” kanske \u00e4r 2000-talets b\u00e4sta l\u00e5t. Den definierar […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,16],"tags":[424,12282,5043],"class_list":["post-22052","post","type-post","status-publish","format-standard","category-musik","category-recension","tag-arvika","tag-musik","tag-shoegaze","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/22052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22052"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/22052\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}