{"id":202478,"date":"2026-02-23T15:44:42","date_gmt":"2026-02-23T14:44:42","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=202478"},"modified":"2026-02-23T15:44:42","modified_gmt":"2026-02-23T14:44:42","slug":"gora-ratt-av-mia-tornqvist-satts-upp-o2scenkonst-i-stockholm","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=202478","title":{"rendered":"G\u00f6ra r\u00e4tt av Mia T\u00f6rnqvist s\u00e4tts upp \u00d62scenkonst i Stockholm"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-186912\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2026\/02\/Bild-2.jpeg\" alt=\"G\u00f6ra r\u00e4tt\" width=\"500\" \/><\/p>\n<p>G\u00f6ra r\u00e4tt av Mia T\u00f6rnqvist, en dr\u00e4pande skildring om v\u00e5r tids \u00e4ngslighet, s\u00e4tts upp p\u00e5 \u00d62scenkonst i Stockholm. Ett pressmeddelande ber\u00e4ttar:<\/p>\n<p>Anders g\u00f6r allt f\u00f6r att passa in i den moderna mansrollen.<br \/>\nP\u00e5 jobbet anpassar han sig till nya styrdokument.<br \/>\nHemma st\u00f6ttar han sin framg\u00e5ngsrika fru.<br \/>\nHan g\u00f6r allting r\u00e4tt.<br \/>\n\u00c4nd\u00e5 blir det fel.<\/p>\n<p>\u2013 Du kanske skulle vara lite mer som Richard den III?  s\u00e4ger hans kollega.<br \/>\n\u2013 Richard den III? Han \u00e4r ju ett monster?!<br \/>\n\u2013 Kvinnor blir alltid f\u00f6r\u00e4lskade i monster, vet du.<\/p>\n<p>Vad h\u00e4nder n\u00e4r f\u00f6rnuftet abdikerar f\u00f6r regelverket?<br \/>\nN\u00e4r ingen l\u00e4ngre v\u00e5gar ta personligt ansvar?<\/p>\n<p>Medverkande<br \/>\nPer Burell<br \/>\nIng-Marie Carlsson<br \/>\nTeresia Pettersson<br \/>\nHanna Loinder<br \/>\nCarita Ivanovo<br \/>\nR\u00f6st: Lotta Telje<\/p>\n<p>Tillbaka p\u00e5  \u00d62scenkonst &#8211;  premi\u00e4r 23 februari 2026 och spelar till 21 mars.<br \/>\nMia T\u00f6rnqvist \u00e4r tillbaka p\u00e5 \u00d62scenkonst med urpremi\u00e4ren av<br \/>\npj\u00e4sen G\u00f6ra r\u00e4tt, med nyskriven musik av Torbj\u00f6rn Grass.<br \/>\nDet konstn\u00e4rliga teamet \u00e4r detsamma som i f\u00f6rest\u00e4llningen Att skiljas.<\/p>\n<p>Konstn\u00e4rligt team<br \/>\nText och regi: Mia T\u00f6rnqvist<br \/>\nScenografi: Katrin Br\u00e4nnstr\u00f6m<br \/>\nLjusdesign: Ellen Ruge<br \/>\nKomposit\u00f6r &#038; musik: Torbj\u00f6rn Grass<br \/>\nKostym: Maria Geber<br \/>\nF\u00f6rest\u00e4llningsbilder: Jos\u00e9 Figueroa<br \/>\nAffischfoto: Susanne Walstr\u00f6m<br \/>\nAffisch: Mikael G\u00f6ransson<br \/>\nRegiassistent: Cornelia Sen<br \/>\nK\u00f6rtekniker: Anna Knochenhauer<br \/>\nProducent: Maria Nilsson &#038; Teresia Pettersson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>G\u00f6ra r\u00e4tt av Mia T\u00f6rnqvist, en dr\u00e4pande skildring om v\u00e5r tids \u00e4ngslighet, s\u00e4tts upp p\u00e5 \u00d62scenkonst i Stockholm. Ett pressmeddelande ber\u00e4ttar: Anders g\u00f6r allt f\u00f6r att passa in i den moderna mansrollen. P\u00e5 jobbet anpassar han sig till nya styrdokument. Hemma st\u00f6ttar han sin framg\u00e5ngsrika fru. Han g\u00f6r allting r\u00e4tt. \u00c4nd\u00e5 blir det fel. \u2013 [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":202497,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[],"class_list":["post-202478","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-teater","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/202478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=202478"}],"version-history":[{"count":9,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/202478\/revisions"}],"predecessor-version":[{"id":202499,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/202478\/revisions\/202499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/202497"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=202478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=202478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=202478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}