{"id":202425,"date":"2026-02-23T09:10:41","date_gmt":"2026-02-23T08:10:41","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=202425"},"modified":"2026-02-23T09:10:41","modified_gmt":"2026-02-23T08:10:41","slug":"snart-premiar-pa-dramaten-for-i-bomullsfaltens-ensamhet","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=202425","title":{"rendered":"Snart premi\u00e4r p\u00e5 Dramaten f\u00f6r I bomullsf\u00e4ltens ensamhet"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-186912\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2026\/02\/unnamed.gif\" alt=\"Dramaten\" width=\"500\" \/><\/p>\n<p>Snart premi\u00e4r p\u00e5 Dramaten f\u00f6r I bomullsf\u00e4ltens ensamhet, med tv\u00e5 av Dramatens mest hyllade namn: Lena Endre och Ingela Olsson.<\/p>\n<p>Ett pressmeddelande ber\u00e4ttar:<br \/>\nStaffan Valdemar Holm regisserar Lena Endre och Ingela Olsson i Bernard-Marie Kolt\u00e8s moderna klassiker. I bomullsf\u00e4ltens ensamhet \u00e4r en verbal duell mellan tv\u00e5 positioner. Lena Endre och Ingela Olsson \u00e4r tv\u00e5 av Sveriges mest v\u00e4lk\u00e4nda sk\u00e5despelare som setts i flertalet filmer, tv-produktioner och framf\u00f6rallt i upps\u00e4ttningar p\u00e5 Dramaten. Nyligen spelade Lena huvudrollen som den manipulativa och sj\u00e4lviska modern i August Strindbergs makabra kammarspel Pelikanen, medan Ingela senast s\u00e5gs i Vredens druvor av nobelpristagaren John Steinbeck samt Sara Stridsbergs Svindel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Snart premi\u00e4r p\u00e5 Dramaten f\u00f6r I bomullsf\u00e4ltens ensamhet, med tv\u00e5 av Dramatens mest hyllade namn: Lena Endre och Ingela Olsson. Ett pressmeddelande ber\u00e4ttar: Staffan Valdemar Holm regisserar Lena Endre och Ingela Olsson i Bernard-Marie Kolt\u00e8s moderna klassiker. I bomullsf\u00e4ltens ensamhet \u00e4r en verbal duell mellan tv\u00e5 positioner. Lena Endre och Ingela Olsson \u00e4r tv\u00e5 av [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":202429,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[],"class_list":["post-202425","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-teater","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/202425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=202425"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/202425\/revisions"}],"predecessor-version":[{"id":202432,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/202425\/revisions\/202432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/202429"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=202425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=202425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=202425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}