{"id":192911,"date":"2025-04-17T16:24:57","date_gmt":"2025-04-17T15:24:57","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=192911"},"modified":"2025-04-17T16:24:59","modified_gmt":"2025-04-17T15:24:59","slug":"sverigepremiar-for-blank-av-alice-birch-pa-dramaten","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=192911","title":{"rendered":"Sverigepremi\u00e4r f\u00f6r [BLANK] av Alice Birch p\u00e5 Dramaten"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-186912\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2025\/04\/unnamed-5-1.jpg\" alt=\"\" width=\"650\" height=\"340\" \/><br \/>\n<em>[BLANK] Foto: Thomas Cooksey \/ Studio Bon<\/em><\/p>\n<p>Alice Birch \u00e4r en av Storbritanniens mest uppm\u00e4rksammade dramatiker som skrivit f\u00f6r succ\u00e9serier som Succession och Normal People. Nu s\u00e4tts hennes pj\u00e4s [BLANK] upp i Sverige f\u00f6r f\u00f6rsta g\u00e5ngen. Tio sk\u00e5despelare, d\u00e4ribland Julia Dufvenius, Livia Millhagen och Lotta Tejle, gestaltar kvinnor som utsatts f\u00f6r v\u00e5ld \u2013 offer, \u00f6verlevare och f\u00f6r\u00f6vare. I ett kalejdoskop av scener m\u00f6ts kvinnor som \u00e4lskar, g\u00e5r under och g\u00e5r vidare. Sverigepremi\u00e4r den 8 maj 2025 p\u00e5 Stora scenen, regi av Maria \u00c5berg.<\/p>\n<p>Ett pressmeddelande ber\u00e4ttar:<\/p>\n<p>[BLANK] gestaltar sk\u00e4rvor ur olika kvinno\u00f6den, som alla belyser v\u00e5ld p\u00e5 olika s\u00e4tt \u2013 fysiskt, strukturellt och k\u00e4nslom\u00e4ssigt. Pj\u00e4sen best\u00e5r av 100 frist\u00e5ende scener, d\u00e4r regiss\u00f6ren f\u00e5r g\u00f6ra ett fritt urval, vilket g\u00f6r varje upps\u00e4ttning unik. Denna version av [BLANK] best\u00e5r av 28 scener. <\/p>\n<p>\u2013Alice Birchs engelska titel anspelar p\u00e5 ett blanksteg d\u00e4r man kan fylla sin egen titel beroende p\u00e5 vilket urval av scener man g\u00f6r, men den belyser ocks\u00e5 det faktum att kvinnorna vi m\u00f6ter p\u00e5 scen skulle kunna vara vilka kvinnor som helst, s\u00e4ger Maria \u00c5berg.<\/p>\n<p>Alice Birch skrev [BLANK] p\u00e5 best\u00e4llning fr\u00e5n National Theatre och Clean Break \u2013 ett brittiskt teaterkompani som grundades i ett kvinnof\u00e4ngelse 1979. M\u00e5let var att ge r\u00f6st \u00e5t kvinnor som p\u00e5 n\u00e5got s\u00e4tt kommit i kontakt med det straffr\u00e4ttsliga systemet, vilket ocks\u00e5 f\u00f6rklarar pj\u00e4sens tematik. L\u00e4s mer om Alice Birch h\u00e4r: Alice Birch<\/p>\n<p>Regisserar g\u00f6r Maria \u00c5berg, som \u00e4ven regisserade det hyllade uruppf\u00f6randet p\u00e5 Donmar Warehouse i London. Hon har varit verksam som regiss\u00f6r p\u00e5 Royal Shakespeare Company och andra teatrar i Storbritannien, men har ocks\u00e5 satt upp flera pj\u00e4ser p\u00e5 Malm\u00f6 Stadsteater. P\u00e5 Dramaten har hon tidigare satt upp Gustav III p\u00e5 Stora scenen 2008.<\/p>\n<p>Av: Alice Birch. \u00d6vers\u00e4ttning: Amanda Svensson. Regi: Maria \u00c5berg. Medverkar g\u00f6r: Julia Dufvenius, Ana Gil de Melo Nascimento, Electra Hallman, Ellen Jelinek, Melinda Kinnaman, Tanja Lorentzon, Livia Millhagen, Ingela Olsson, Nancy Ofori och Lotta Tejle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[BLANK] Foto: Thomas Cooksey \/ Studio Bon Alice Birch \u00e4r en av Storbritanniens mest uppm\u00e4rksammade dramatiker som skrivit f\u00f6r succ\u00e9serier som Succession och Normal People. Nu s\u00e4tts hennes pj\u00e4s [BLANK] upp i Sverige f\u00f6r f\u00f6rsta g\u00e5ngen. Tio sk\u00e5despelare, d\u00e4ribland Julia Dufvenius, Livia Millhagen och Lotta Tejle, gestaltar kvinnor som utsatts f\u00f6r v\u00e5ld \u2013 offer, \u00f6verlevare [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":192916,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[],"class_list":["post-192911","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-teater","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/192911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=192911"}],"version-history":[{"count":7,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/192911\/revisions"}],"predecessor-version":[{"id":192919,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/192911\/revisions\/192919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/192916"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=192911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=192911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=192911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}