{"id":192864,"date":"2025-04-16T11:24:57","date_gmt":"2025-04-16T10:24:57","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=192864"},"modified":"2025-04-16T11:24:57","modified_gmt":"2025-04-16T10:24:57","slug":"varldspremiar-for-specialskriven-text-av-syriska-samar-yazbek-pa-dramaten","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=192864","title":{"rendered":"V\u00e4rldspremi\u00e4r f\u00f6r specialskriven text av syriska Samar Yazbek p\u00e5 Dramaten"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-186912\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2025\/04\/unnamed-4-2.jpg\" alt=\"\" width=\"650\" height=\"340\" \/><br \/>\n<em>Samar Yazbek Foto: Astrid-di-Crollalanza<\/em><\/p>\n<p>https:\/\/kulturbloggen.com\/wp-content\/uploads\/2025\/04\/unnamed-4-2.jpg<br \/>\nEfter al-Asad regimens fall i Syrien p\u00e5b\u00f6rjade f\u00f6rfattaren Samar Yazbek en process som hon beskriver som \u201db\u00f6rjan av en \u00e5terkomst fr\u00e5n exilen\u201d. N\u00e5gra fragment ur denna \u00e5terkomst presenteras nu som gestaltad l\u00e4sning inom ramen f\u00f6r Dramaten.Doc. Teaterscen som kallas Helvetet ges p\u00e5 Lilla scenen den 29 april 2025.<\/p>\n<p>Ett pressmeddelande ber\u00e4ttar:<br \/>\nNyhetsrapporteringen fr\u00e5n Syrien efter al-Asad regimens fall \u00e4r ganska knapph\u00e4ndig och experternas utl\u00e5tande mots\u00e4gelsefulla. Dramaten.Doc tar hj\u00e4lp av den konstn\u00e4rliga blicken p\u00e5 situationen och presenterar en specialskriven text av den kanske mest internationellt k\u00e4nda syriska f\u00f6rfattaren och journalisten Samar Yazbek.<\/p>\n<p>Samar Yazbek, f\u00f6dd 1970 i Jable i Syrien, har \u00e4ven ett f\u00f6rflutet som manusf\u00f6rfattare f\u00f6r syrisk film och tv. Hon tvingades l\u00e4mna Syrien 2011 men har \u00e5kt tillbaka i hemlighet flera g\u00e5nger. Resa in i tomheten (2015) handlar om tre av dessa resor. H\u00f6sten 2012 fick hon Svenska PEN:s Tucholskypris f\u00f6r Woman in the Crossfire, en rapport fr\u00e5n Syrienkriget. Hennes reportagebok Nitton kvinnor \u2013 ber\u00e4ttelser om syriskt motst\u00e5nd (2019) \u2013 d\u00e4r hon samlat in vittnesm\u00e5l fr\u00e5n de tysta, eller tystade blev vida uppm\u00e4rksammad och \u00f6versattes till flera spr\u00e5k.<\/p>\n<p>\u00d6vers\u00e4ttning: Jonathan Mor\u00e9n. Bearbetning och regi: Dmitri Plax. Medverkar g\u00f6r: Victor Morell, Natalie Sundelin och Kristina T\u00f6rnqvist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Samar Yazbek Foto: Astrid-di-Crollalanza https:\/\/kulturbloggen.com\/wp-content\/uploads\/2025\/04\/unnamed-4-2.jpg Efter al-Asad regimens fall i Syrien p\u00e5b\u00f6rjade f\u00f6rfattaren Samar Yazbek en process som hon beskriver som \u201db\u00f6rjan av en \u00e5terkomst fr\u00e5n exilen\u201d. N\u00e5gra fragment ur denna \u00e5terkomst presenteras nu som gestaltad l\u00e4sning inom ramen f\u00f6r Dramaten.Doc. Teaterscen som kallas Helvetet ges p\u00e5 Lilla scenen den 29 april 2025. Ett pressmeddelande [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":192869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[1366],"class_list":["post-192864","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-teater","category-toppnytt","tag-dramaten","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/192864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=192864"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/192864\/revisions"}],"predecessor-version":[{"id":192872,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/192864\/revisions\/192872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/192869"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=192864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=192864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=192864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}