{"id":191713,"date":"2025-03-12T15:33:48","date_gmt":"2025-03-12T14:33:48","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=191713"},"modified":"2025-03-12T15:33:49","modified_gmt":"2025-03-12T14:33:49","slug":"nobelpristagaren-svetlana-aleksijevitj-till-dramaten","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=191713","title":{"rendered":"Nobelpristagaren Svetlana Aleksijevitj till Dramaten"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-186119\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2025\/03\/unnamed-2.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><br \/>\n<em>Svetlana Aleksijevitj Foto: Cato Lein<\/em><\/p>\n<p>Den 25 mars 2025, p\u00e5 Belarus frihetsdag, presenterar Dramaten.Doc Svetlana Aleksijevitjs bok Tiden Second hand som gestaltad l\u00e4sning. D\u00e4refter sker ett exklusivt samtal mellan f\u00f6rfattaren och Dmitri Plax. P\u00e5 Lilla scenen.<\/p>\n<p>Ett pressmeddelande:<\/p>\n<p>Svetlana Aleksijevitj \u00e4r en belarusisk f\u00f6rfattare och journalist, k\u00e4nd f\u00f6r sina dokument\u00e4ra verk som skildrar individers erfarenheter av historiska katastrofer. Hon fick Nobelpriset i litteratur 2015.  <\/p>\n<p>Den 25 mars \u00e4r Dzien Voli, det vill s\u00e4ga Frihetsdagen d\u00e5 Belarus f\u00f6r f\u00f6rsta g\u00e5ngen deklarerade sin sj\u00e4lvst\u00e4ndighet 1918. Den nuvarande regimen i Minsk uppm\u00e4rksammar inte den helgen. Men f\u00f6r m\u00e5nga belarusier i exil, inklusive Svetlana och Dmitri, \u00e4r det en dag att minnas sitt ursprung och ett tillf\u00e4lle att prata om hemlandet, dess historia och nutid, att dr\u00f6mma om en fri och fredlig framtid.<\/p>\n<p>Nu n\u00e4r \u00e4ven demokratiskt valda ledarna i stora delar av v\u00e4rlden \u00e5teranv\u00e4nder gamla f\u00f6rbrukade id\u00e9er blir boken om det postsovjetiska omr\u00e5det h\u00f6gaktuell p\u00e5 nytt och f\u00e5r en helt annan betydelse \u00e4n n\u00e4r den gavs ut 2013. Texten ges h\u00e4r som gestaltad l\u00e4sning i regi och bearbetning av Dmitri Plax.<\/p>\n<p>\u00d6vers\u00e4ttning: Kajsa \u00d6berg Lindsten. Regi och bearbetning: Dmitri Plax. Dramaturg och samtalsledare: Anneli Dufva. Medverkar i l\u00e4sningen: Th\u00e9r\u00e8se Brunnander, Thomas Hanzon, Kristina T\u00f6rnqvist m.fl.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Svetlana Aleksijevitj Foto: Cato Lein Den 25 mars 2025, p\u00e5 Belarus frihetsdag, presenterar Dramaten.Doc Svetlana Aleksijevitjs bok Tiden Second hand som gestaltad l\u00e4sning. D\u00e4refter sker ett exklusivt samtal mellan f\u00f6rfattaren och Dmitri Plax. P\u00e5 Lilla scenen. Ett pressmeddelande: Svetlana Aleksijevitj \u00e4r en belarusisk f\u00f6rfattare och journalist, k\u00e4nd f\u00f6r sina dokument\u00e4ra verk som skildrar individers erfarenheter [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":191719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,13624],"tags":[],"class_list":["post-191713","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/191713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=191713"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/191713\/revisions"}],"predecessor-version":[{"id":191721,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/191713\/revisions\/191721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/191719"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=191713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=191713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=191713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}