{"id":190895,"date":"2025-02-17T15:27:20","date_gmt":"2025-02-17T14:27:20","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=190895"},"modified":"2025-02-17T15:27:21","modified_gmt":"2025-02-17T14:27:21","slug":"teater-tribunalen-satter-upp-kapitalet-pa-scen","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=190895","title":{"rendered":"Teater Tribunalen s\u00e4tter upp Kapitalet p\u00e5 scen"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-186912\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2025\/02\/unnamed-2-2.jpg\" alt=\"\" width=\"650\" height=\"340\" \/><\/p>\n<p>Teater Tribunalen i Stockholm s\u00e4tter upp den legendariska politiska boken Kapitalet p\u00e5 scen.<br \/>\nKapitalet \u00e4r skrivet av Karl Marx och f\u00f6r att s\u00e4tta upp den p\u00e5 scen har Dror Feiler och Emil Boss samarbetat. Urpremi\u00e4r 24 februari 2025.<br \/>\n.<\/p>\n<p>Dror Feiler skriver i ett pressmeddelande:<br \/>\n<em>Det \u00e4r de ekonomiska f\u00f6rh\u00e5llandena som best\u00e4mmer medvetandet och inte medvetandet som best\u00e4mmer de ekonomiska f\u00f6rh\u00e5llandena&#8221;<br \/>\nF\u00f6rsta g\u00e5ngen jag h\u00f6rde det var jag fyra \u00e5r gammal.<br \/>\nJag f\u00f6rstod inte vad den betydde d\u00e5, men nu, 70 \u00e5r senare, vill jag genom att s\u00e4tta upp Das Kapital av Karl Marx som ett musikdramatiskt agitatorium dela med mig av denna sanning.<\/em> <\/p>\n<p>Om f\u00f6rest\u00e4llningen:<br \/>\n\u2022 Karl Marx bidrar med fotnoterna ur \u201dDas Kapital\u201d.<br \/>\n\u2022 Emil Boss, poet och fackligt aktiv, har samlat vittnesm\u00e5l fr\u00e5n v\u00e5r tids utsatta migrantarbetare.<br \/>\n\u2022 Dror Feiler g\u00f6r musikalisk \u00e5verkan p\u00e5 v\u00e5r verklighetsuppfattning med en samling speldosor, mekaniska instrument och ljudmaskiner.<\/p>\n<p>Tillsammans skapar de ett musikdramatiskt Agitatorium om det kapitalistiska systemets mekanismer \u2013 f\u00f6r s\u00e5ngare, sk\u00e5despelare, k\u00f6r, v\u00e4vare, snickare och mekaniker.<\/p>\n<p>Texter: Karl Marx samt intervjuer med migrantarbetare i Sverige<br \/>\nId\u00e9 och ljudgeneral: Dror Feiler<br \/>\nMed: Kirsti Torhaug, Dror Feiler, Emil Boss, Henrik Dahl, Erik Bonk, Magnus Lindberg, Fabian Magnusson, Hanna Melanton Appelfeldt samt Teaterk\u00f6ren.<br \/>\nDramaturgi: Henrik Dahl och Fabian Magnusson<br \/>\nScenografi och f\u00f6rste maskinist: Magnus Lindberg<br \/>\nKostymdesign: Ulrika van Gelder<br \/>\nLjusdesign: William Wenner och Lina Benneth<br \/>\nSnickare: Erik Bonk<br \/>\nTeknisk assistans: Assar Firus Norrman, Jan \u00c4rfstr\u00f6m, Alexander Acke Engstr\u00f6m<br \/>\nKonstn\u00e4rlig ledare: Henrik Dahl<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teater Tribunalen i Stockholm s\u00e4tter upp den legendariska politiska boken Kapitalet p\u00e5 scen. Kapitalet \u00e4r skrivet av Karl Marx och f\u00f6r att s\u00e4tta upp den p\u00e5 scen har Dror Feiler och Emil Boss samarbetat. Urpremi\u00e4r 24 februari 2025. . Dror Feiler skriver i ett pressmeddelande: Det \u00e4r de ekonomiska f\u00f6rh\u00e5llandena som best\u00e4mmer medvetandet och inte [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":190910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[15225,14547,13652,7334,13175],"class_list":["post-190895","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film","category-teater","category-toppnytt","tag-kapitalet","tag-kapitalismen","tag-karl-marx","tag-politisk-teater","tag-teater-tribunalen","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/190895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=190895"}],"version-history":[{"count":11,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/190895\/revisions"}],"predecessor-version":[{"id":190911,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/190895\/revisions\/190911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/media\/190910"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=190895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=190895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=190895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}