{"id":183737,"date":"2024-08-19T11:55:25","date_gmt":"2024-08-19T09:55:25","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=183737"},"modified":"2024-08-19T11:55:26","modified_gmt":"2024-08-19T09:55:26","slug":"falk-richter-ger-shakespears-kung-lear-ett-nutida-metaperspektiv","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=183737","title":{"rendered":"Falk Richter ger Shakespears Kung Lear ett nutida metaperspektiv"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-183740\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2024\/08\/unnamed-3-1.jpg\" alt=\"\" width=\"433\" height=\"650\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2024\/08\/unnamed-3-1.jpg 433w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2024\/08\/unnamed-3-1-200x300.jpg 200w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><\/p>\n<p>Dramatens f\u00f6rsta h\u00f6stpremi\u00e4r blir med William Shakespeares Kung Lear i en fri bearbetning av Falk Richter, en av Europas mest uppm\u00e4rksammade regiss\u00f6rer. Peter Andersson \u00e4r tillbaka p\u00e5 Dramaten efter tolv \u00e5r och g\u00f6r rollen som kungen. Premi\u00e4r p\u00e5 Stora scenen 7 september 2024, ber\u00e4ttar ett pressmeddelande:<\/p>\n<p>Kung Lear \u00e4r en m\u00e5ngbottnad ber\u00e4ttelse om makt, arv, generationskrockar och ett rike i kaos. I Falk Richters tappning har pj\u00e4sen \u00e4ven ett metaperspektiv d\u00e4r ett arbete med en konfliktfylld teaterupps\u00e4ttning p\u00e5g\u00e5r.<\/p>\n<p>\u2013 Kung Lear \u00e4r en av v\u00e4rldens b\u00e4sta pj\u00e4ser med fascinerande karakt\u00e4rer som jag nu utforskar p\u00e5 scen. Det \u00e4r sp\u00e4nnande att vara tillbaka p\u00e5 Dramaten och f\u00f6rverkliga min bearbetning av Shakespears tragedi. Jag \u00e4r mycket imponerad av hur Dramaten-ensemblen tar sig an utmaningen, s\u00e4ger Falk Richter.<\/p>\n<p>\u2013 Det \u00e4r en tung och utmanande roll och nu dessutom i en intressant bearbetning av Falk Richter. Extra roligt \u00e4r det s\u00e5klart ocks\u00e5 att spela i Kung Lear p\u00e5 samma scen igen. Jag var ju med, och gjorde tre olika roller, i Bergmans upps\u00e4ttning 1984, s\u00e4ger Peter Andersson.<\/p>\n<p>Falk Richter \u00e4r en av Europas mest uppm\u00e4rksammade dramatiker och regiss\u00f6rer och arbetar f\u00f6r n\u00e4rvarande p\u00e5 Schaub\u00fchne i Berlin, M\u00fcnchner Kammerspiele och Deutsches Schauspielhaus Hamburg. P\u00e5 Dramaten har han tidigare satt upp Safe under Bergmanfestivalen 2018 och I am Europe i ett europeiskt teatersamarbete som g\u00e4stspelade 2019. <\/p>\n<p>Medverkande: Peter Andersson, Erik Ehn, Victoria Dyrstad, Electra Hallman, Karin Franz K\u00f6rlof, Magnus Roosmann, Bj\u00f6rn Elgerd, Alexander Salzberger, Ana Gil de Melo Nascimento och Rasmus Luthander.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dramatens f\u00f6rsta h\u00f6stpremi\u00e4r blir med William Shakespeares Kung Lear i en fri bearbetning av Falk Richter, en av Europas mest uppm\u00e4rksammade regiss\u00f6rer. Peter Andersson \u00e4r tillbaka p\u00e5 Dramaten efter tolv \u00e5r och g\u00f6r rollen som kungen. Premi\u00e4r p\u00e5 Stora scenen 7 september 2024, ber\u00e4ttar ett pressmeddelande: Kung Lear \u00e4r en m\u00e5ngbottnad ber\u00e4ttelse om makt, arv, [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[1366,12624,15003,5029],"class_list":["post-183737","post","type-post","status-publish","format-standard","category-film","category-teater","category-toppnytt","tag-dramaten","tag-king-lear","tag-kung-lear","tag-shakespeare","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/183737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=183737"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/183737\/revisions"}],"predecessor-version":[{"id":183742,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/183737\/revisions\/183742"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=183737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=183737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=183737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}