{"id":180000,"date":"2024-04-10T15:22:05","date_gmt":"2024-04-10T13:22:05","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=180000"},"modified":"2024-04-10T15:22:06","modified_gmt":"2024-04-10T13:22:06","slug":"gunnar-brusewitz-100-ar-det-forandrade-landskapet-visas-i-norrtalje","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=180000","title":{"rendered":"Gunnar Brusewitz 100 \u00e5r – Det f\u00f6r\u00e4ndrade landskapet, visas i Norrt\u00e4lje"},"content":{"rendered":"

\"\"<\/p>\n

Under v\u00e5ren visar Norrt\u00e4lje konsthall en utst\u00e4llning med ca 100 verk av konstn\u00e4ren, tecknaren och f\u00f6rfattaren Gunnar Brusewitz.<\/p>\n

Ett pressmeddelande ber\u00e4ttar:
\nUtst\u00e4llningen vill visa p\u00e5 hans unika konstn\u00e4rskap som genom ord och bild f\u00e5ngat den svenska naturen och samtidigt skildrat den i ett brett kulturhistoriskt perspektiv.\u00a0Han var en m\u00e4stare i att med snabba linjer f\u00e5nga djurens r\u00f6relser, f\u00e5glars flykt och naturens olika skeenden.<\/p>\n

I hans n\u00e4stan dagliga iakttagelser av naturen, s\u00e4rskilt fr\u00e5n det uppl\u00e4ndska kulturlandskapet och fr\u00e5n Lisinge vid sj\u00f6n Sparren d\u00e4r han bodde och verkade skildras ett landskap i\u00a0f\u00f6r\u00e4ndring. \u201dVad h\u00e4nder med naturen\u201d? Var en \u00e5terkommande fr\u00e5ga som Gunnar Brusewitz st\u00e4llde sig redan p\u00e5 1960-talet.<\/p>\n

Gunnar Brusewitz 100 \u00e5r<\/strong>
\nDet f\u00f6r\u00e4ndrade landskapet<\/strong>
\n13 april – 1 juni 2024<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Under v\u00e5ren visar Norrt\u00e4lje konsthall en utst\u00e4llning med ca 100 verk av konstn\u00e4ren, tecknaren och f\u00f6rfattaren Gunnar Brusewitz. Ett pressmeddelande ber\u00e4ttar: Utst\u00e4llningen vill visa p\u00e5 hans unika konstn\u00e4rskap som genom ord och bild f\u00e5ngat den svenska naturen och samtidigt skildrat den i ett brett kulturhistoriskt perspektiv.\u00a0Han var en m\u00e4stare i att med snabba linjer f\u00e5nga […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-180000","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-litteratur","7":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/180000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=180000"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/180000\/revisions"}],"predecessor-version":[{"id":180006,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/180000\/revisions\/180006"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=180000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=180000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=180000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}