{"id":167937,"date":"2023-06-09T09:36:17","date_gmt":"2023-06-09T08:36:17","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=167937"},"modified":"2023-06-09T09:36:18","modified_gmt":"2023-06-09T08:36:18","slug":"sweden-rock-myrath-overtygar-igen","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=167937","title":{"rendered":"Sweden Rock:  Myrath \u00f6vertygar igen!"},"content":{"rendered":"\n<p>Myrath fr\u00e5n Tunisien fullst\u00e4ndigt lade Norje Boke f\u00f6r sina f\u00f6tter 2019. Genom en fantastisk spelning p\u00e5 omr\u00e5dets minsta scen fick v\u00e4ldigt m\u00e5nga av oss upp \u00f6gonen f\u00f6r det h\u00e4r bandet. Deras progressiva metal f\u00f6ll mig r\u00e4tt p\u00e5 l\u00e4ppen och deras scenshow var n\u00e5got ut\u00f6ver det vanliga. N\u00e4r sedan Behemoth fick problem och blev tvungna att st\u00e4lla in sin medverkan, vaskade festivalledningen fram Myrath som ers\u00e4ttare p\u00e5 stora Rock Stage. Om man kan snacka om att ett band fick sitt stora genombrott s\u00e5 var det nog d\u00e4r p\u00e5 Rock Stage 2019.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7032.jpg\" alt=\"\" class=\"wp-image-167938\" width=\"488\" height=\"413\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7032.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7032-300x254.jpg 300w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure>\n<\/div>\n\n\n<p>I \u00e5r \u00e4r Myrath tillbaka och de \u00e4ntrar Sweden Stage vid pass halv nio p\u00e5 kv\u00e4llen. Det st\u00e5r klart redan under de inledande l\u00e5tarna, att det \u00e4r ett band som faktiskt h\u00f6r hemma p\u00e5 n\u00e5gon av de tv\u00e5 stora scenerna. Med en scenshow som h\u00e4mtad ur &#8221;Tusen och en natt&#8221;, med prinsessor och eldkonstn\u00e4rer f\u00e5ngar de omedelbart publiken. Att s\u00e5ngaren Zaher Zorgat l\u00e4rt sig en hel del svenska \u00e4r f\u00f6rst\u00e5s extra publikfriande. S\u00e4llan har man sett en publikdompt\u00f6r vara s\u00e5 glad, s\u00e5 lycklig \u00f6ver att m\u00f6ta sin publik. Gensvaret fr\u00e5n publiken l\u00e5ter inte heller v\u00e4nta p\u00e5 sig. Det m\u00e5ste vara gott och v\u00e4l 15000 m\u00e4nniskor som st\u00e4llt sig i sluttningen upp fr\u00e5n Sweden Stage den h\u00e4r torsdagskv\u00e4llen och ingen \u00e4r besviken.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"433\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7081.jpg\" alt=\"\" class=\"wp-image-167939\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7081.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7081-300x200.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/div>\n\n\n<p>M\u00e5nga g\u00e5nger n\u00e4r man sitter och tittar p\u00e5 vilka band som kommer till festivalen, s\u00e5 \u00e4r det de stora tunga huvudakterna man betraktar fr\u00e4mst. Men det \u00e4r i periferin de stora nyheterna st\u00e5r att finna. Att Myrath \u00e4r en s\u00e5dan stor nyhet, \u00e4r kanske ingen nyhet l\u00e4ngre. Men n\u00e4sta g\u00e5ng det h\u00e4r bandet kommer till Sweden Rock s\u00e5 m\u00e5ste det vara f\u00f6r en kv\u00e4llsf\u00f6rest\u00e4llning p\u00e5 n\u00e5gon av de tv\u00e5 stora scenerna. Kanske \u00e4r det lite tidigt i karri\u00e4ren att vara headline. Men som avslutare p\u00e5 Rock Stage i m\u00f6rker vill jag snart se dem, det f\u00f6rtj\u00e4nar s\u00e5v\u00e4l bandet som publiken.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"433\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7109.jpg\" alt=\"\" class=\"wp-image-167940\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7109.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7109-300x200.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7142.jpg\" alt=\"\" class=\"wp-image-167941\" width=\"325\" height=\"217\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7142.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/06\/IMG_7142-300x200.jpg 300w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Myrath fr\u00e5n Tunisien fullst\u00e4ndigt lade Norje Boke f\u00f6r sina f\u00f6tter 2019. Genom en fantastisk spelning p\u00e5 omr\u00e5dets minsta scen fick v\u00e4ldigt m\u00e5nga av oss upp \u00f6gonen f\u00f6r det h\u00e4r bandet. Deras progressiva metal f\u00f6ll mig r\u00e4tt p\u00e5 l\u00e4ppen och deras scenshow var n\u00e5got ut\u00f6ver det vanliga. N\u00e4r sedan Behemoth fick problem och blev tvungna att [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,13624],"tags":[],"class_list":{"0":"post-167937","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"category-toppnytt","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/167937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=167937"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/167937\/revisions"}],"predecessor-version":[{"id":167942,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/167937\/revisions\/167942"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=167937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=167937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=167937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}