{"id":164751,"date":"2023-03-15T17:14:01","date_gmt":"2023-03-15T16:14:01","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=164751"},"modified":"2023-03-15T17:14:02","modified_gmt":"2023-03-15T16:14:02","slug":"multikonstnaren-laurie-anderson-kommer-till-moderna-museet","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=164751","title":{"rendered":"Multikonstn\u00e4ren Laurie Anderson kommer till Moderna museet"},"content":{"rendered":"<figure id=\"attachment_164755\" aria-describedby=\"caption-attachment-164755\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-164755\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/03\/unnamed.gif\" alt=\"\" width=\"600\" height=\"384\"><figcaption id=\"caption-attachment-164755\" class=\"wp-caption-text\">Laurie Anderson, Drum Dance (ur Heart of the Brave), 1986 \u00a9 Laurie Anderson<\/figcaption><\/figure>\n<p>Laurie Anderson (f. 1947) \u00e4r en legendarisk person inom amerikansk avantgarde-konst, experimentell musik och independentkultur. I utst\u00e4llningen \u201dLooking into a Mirror Sideways\u201d pr\u00f6var Laurie Anderson f\u00f6ruts\u00e4ttningarna f\u00f6r hur en ber\u00e4ttelse kan gestaltas i museets salar. Helt nya produktioner m\u00f6ter tidiga verk i en betraktelse \u00f6ver tid och varande, tystnad och larm. Hon kommer med utst\u00e4llningen till Moderna museet i Stockholm.<\/p>\n<p>Ett pressmeddelande ber\u00e4ttar:<br \/>\nFr\u00e5n genombrottet i mitten av 1970-talet med verk inom performance och video, \u00e4r Laurie Anderson (f\u00f6dd 1947) idag lika k\u00e4nd som komposit\u00f6r, filmskapare, f\u00f6rfattare och nyskapande bild- och scenkonstn\u00e4r. Viktiga utg\u00e5ngspunkter i hennes gr\u00e4ns\u00f6verskridande arbete \u00e4r lyssnande, spr\u00e5k och ber\u00e4ttande \u2013 fr\u00e5n poetiska och existentiella utsagor till aktivistiska inl\u00e4gg i br\u00e4nnande politiska fr\u00e5gor.<br \/>\nAnderson slog igenom internationellt som pionj\u00e4r inom den elektroniska musiken. Idag arbetar hon i framkant av nya tekniker inom konsten, som virtual reality (VR) och artificiell intelligens (AI), men anv\u00e4nder lika g\u00e4rna tidl\u00f6sa uttryck som r\u00f6st, m\u00e5leri eller kolteckning.<\/p>\n<p>Utst\u00e4llningen \u00f6ppnar l\u00f6rdagen 1 april 2023.<br \/>\nLaurie Anderson ger ocks\u00e5 en konsert d\u00e5 hon \u00e4r i Stockholm.<\/p>\n<p>KONSERT MED LAURIE ANDERSON<br \/>\n\u201dAll the Things I Lost in the Flood\u201d<br \/>\nDag: L\u00f6rdag 1 april<br \/>\nPlats: Cirkus | Stockholm<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laurie Anderson (f. 1947) \u00e4r en legendarisk person inom amerikansk avantgarde-konst, experimentell musik och independentkultur. I utst\u00e4llningen \u201dLooking into a Mirror Sideways\u201d pr\u00f6var Laurie Anderson f\u00f6ruts\u00e4ttningarna f\u00f6r hur en ber\u00e4ttelse kan gestaltas i museets salar. Helt nya produktioner m\u00f6ter tidiga verk i en betraktelse \u00f6ver tid och varande, tystnad och larm. Hon kommer med utst\u00e4llningen [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[3,13624],"tags":[14556,3740],"class_list":["post-164751","post","type-post","status-publish","format-standard","category-litteratur","category-toppnytt","tag-laurie-anderson","tag-moderna-museet","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/164751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=164751"}],"version-history":[{"count":6,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/164751\/revisions"}],"predecessor-version":[{"id":164760,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/164751\/revisions\/164760"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=164751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=164751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=164751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}