{"id":162018,"date":"2023-01-12T20:37:13","date_gmt":"2023-01-12T19:37:13","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=162018"},"modified":"2023-01-12T20:37:14","modified_gmt":"2023-01-12T19:37:14","slug":"filmrecension-a-man-called-otto","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=162018","title":{"rendered":"Filmrecension: A Man Called Otto"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-162023\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/01\/unnamed-1.jpg\" alt=\"\" width=\"650\" height=\"366\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/01\/unnamed-1.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2023\/01\/unnamed-1-300x169.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p>A Man Called Otto<br \/>\nBetyg 3<br \/>\nSvensk premi\u00e4r 13 januari 2023<br \/>\nRegi Marc Forsberg<\/p>\n<p>En amerikansk remake av den svenska filmsucc\u00e9n En man som heter Ove.<br \/>\nEn film som liknar originalet i handling men i amerikansk milj\u00f6. H\u00e4r har<br \/>\nTom Hanks ersatt Rolf Lassg\u00e5rd och spansktalande Marisol ers\u00e4tter iranska Parvaneh.<\/p>\n<p>Tom Hanks i rollen som den alltid arge ordningsmannen i kvarteret \u00e4r precis lika ilsken som sin f\u00f6reg\u00e5ngare. De flesta episoderna \u00e4r med i nya filmen men hans bakgrund skildras inte p\u00e5 samma vis. Kanske d\u00e4rf\u00f6r k\u00e4nns Hanks rollfigur mindre sympatisk och bara otroligt jobbigt grinig. Ett stort hj\u00e4rta urs\u00e4ktar inte allt. S\u00e4rskilt inte n\u00e4r man inte f\u00f6rst\u00e5r bakgrunden. Den som d\u00e4remot \u00e4r roligt charmig \u00e4r Marisol (Mariana Trevino).<br \/>\nHennes runda mage, hennes matl\u00e5dor och ivriga utspel charmar publiken och f\u00e5r Hanks att vekna.<\/p>\n<p>Historien \u00e4r bra, en man som Otto kan m\u00e5nga k\u00e4nna igen hos andra om \u00e4n inte hos sig sj\u00e4lva. Han brukar finnas i de flesta bostadsomr\u00e5den. Fredrik Backman historia passar oavsett land. Men har man sett den svenska versionen k\u00e4nns den mer gripande. Kanske p\u00e5 grund av Rolf Lassg\u00e5rds tolkning eller att de svenska f\u00f6rh\u00e5llandena \u00e4r mer v\u00e4lbekanta. Eller helt enkelt att den svenska versionen \u00e4r mer sentimental och k\u00e4nslosam. Den nya filmen har inte samma feelgoodk\u00e4nsla trots sina po\u00e4nger.<\/p>\n<p>Men den \u00e4r \u00e4nd\u00e5 rolig och ger ocks\u00e5 hopp om att m\u00e4nniskor kan \u00e4ndra sig genom m\u00f6ten med andra.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/eFYUX9l-m5I\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Man Called Otto Betyg 3 Svensk premi\u00e4r 13 januari 2023 Regi Marc Forsberg En amerikansk remake av den svenska filmsucc\u00e9n En man som heter Ove. En film som liknar originalet i handling men i amerikansk milj\u00f6. H\u00e4r har Tom Hanks ersatt Rolf Lassg\u00e5rd och spansktalande Marisol ers\u00e4tter iranska Parvaneh. Tom Hanks i rollen som [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50,51,16,20,13624],"tags":[],"class_list":["post-162018","post","type-post","status-publish","format-standard","category-filmfilm","category-filmer","category-recension","category-film","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/162018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=162018"}],"version-history":[{"count":5,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/162018\/revisions"}],"predecessor-version":[{"id":162025,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/162018\/revisions\/162025"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=162018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=162018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=162018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}