{"id":159417,"date":"2022-11-02T18:44:20","date_gmt":"2022-11-02T16:44:20","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=159417"},"modified":"2022-11-02T18:44:20","modified_gmt":"2022-11-02T16:44:20","slug":"gustav-lindh-debuterar-pa-dramaten-som-raskolnikov-i-brott-och-straff","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=159417","title":{"rendered":"Gustav Lindh debuterar p\u00e5 Dramaten som Raskolnikov i Brott och straff"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-159421\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/11\/unnamed-5.jpg\" alt=\"\" width=\"576\" height=\"411\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/11\/unnamed-5.jpg 576w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/11\/unnamed-5-300x214.jpg 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/p>\n<p>Europas kanske mest omtalade och provokativa regiss\u00f6r, Oliver Frlji\u0107, s\u00e4tter upp en av den moderna litteraturens viktigaste romaner \u2013 Fjodor Dostojevskijs Brott och straff. I rollen som Raskolnikov syns Gustav Lindh som debuterar p\u00e5 Dramaten. Premi\u00e4r p\u00e5 Stora scenen 24 november 2022.<\/p>\n<p>Ett pressmeddelande:<br \/>\nFjodor Dostojevskijs psykologiska roman gavs ut 1866, och har sedan dess aldrig upph\u00f6rt att fascinera. I Dramatens upps\u00e4ttning kastas publiken in i Raskolnikovs febriga sinnev\u00e4rld, i en bearbetning som \u00e4ven \u00e4r inspirerad av Dostojevskijs dagbok.<\/p>\n<p>Det handlar om r\u00e4tt och fel, om huruvida v\u00e5ld kan vara ber\u00e4ttigat, om ekonomiska faktorers p\u00e5verkan p\u00e5 oss m\u00e4nniskor och om samtidens paradoxala budskap om m\u00e4nniskolivets v\u00e4rde.<\/p>\n<p>Oliver Frlji\u0107 \u00e4r en bosnisk-kroatisk regiss\u00f6r med hela Europa som arbetsplats. Han har bland annat varit teaterchef f\u00f6r nationalteatern i Kroatien (ett uppdrag han l\u00e4mnade av politiska sk\u00e4l) och har arbetat mycket i Tyskland. Han ligger bakom en rad uppm\u00e4rksammade upps\u00e4ttningar, bland annat Klatwa (The Curse) i Warszawa som kritiserade den katolska kyrkan och m\u00f6ttes av stora demonstrationer. L\u00e4s mer om Oliver Frlji\u0107 h\u00e4r.<\/p>\n<p>Brott och straff gavs senast p\u00e5 Dramaten 1936 i regi av Alf Sj\u00f6berg.<\/p>\n<p>Medverkande: Danilo Bejarano, Nina Dahn, Gunnel Fred, Andreas Gr\u00f6tzinger, Electra Hallman, Gustav Lindh, Torkel Petersson, Magnus Roosmann, Nemanja Stojanovi\u0107, Kristina T\u00f6rnqvist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Europas kanske mest omtalade och provokativa regiss\u00f6r, Oliver Frlji\u0107, s\u00e4tter upp en av den moderna litteraturens viktigaste romaner \u2013 Fjodor Dostojevskijs Brott och straff. I rollen som Raskolnikov syns Gustav Lindh som debuterar p\u00e5 Dramaten. Premi\u00e4r p\u00e5 Stora scenen 24 november 2022. Ett pressmeddelande: Fjodor Dostojevskijs psykologiska roman gavs ut 1866, och har sedan dess [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[],"class_list":["post-159417","post","type-post","status-publish","format-standard","category-film","category-teater","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/159417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=159417"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/159417\/revisions"}],"predecessor-version":[{"id":159422,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/159417\/revisions\/159422"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=159417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=159417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=159417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}