{"id":15428,"date":"2009-12-01T11:29:15","date_gmt":"2009-12-01T10:29:15","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=15428"},"modified":"2009-12-01T11:29:15","modified_gmt":"2009-12-01T10:29:15","slug":"paramore-pa-fryshyset-the-mars-volta-pa-cirkus-och-raveonettes-pa-strand","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=15428","title":{"rendered":"Paramore p\u00e5 Fryshyset, The Mars Volta p\u00e5 Cirkus och Raveonettes p\u00e5 Strand"},"content":{"rendered":"

\"raveonettes-lug\"<\/a>
\nParamore p\u00e5 Fryshyset, The Mars Volta p\u00e5 Cirkus och Raveonettes p\u00e5 Strand, vilken krock. Det var om\u00f6jligt f\u00f6r en musikn\u00f6rd att f\u00e5 tiden att r\u00e4cka till p\u00e5 m\u00e5ndagskv\u00e4llen utan att kunna dela sig i tre delar.<\/p>\n

H\u00e4r kan vi ju tr\u00f6stlyssna p\u00e5 det danska indiehj\u00e4ltarna i The Raveonettes, p\u00e5 deras sida p\u00e5 Myspace.
\n<\/a><\/p>\n

Duon Raveonettes ber\u00e4ttar om sig sj\u00e4lva p\u00e5 sin hemsida:<\/a><\/p>\n

The Raveonettes are a Danish rock duo consisting of Sune Rose Wagner (on guitar, instruments, vocals) and Sharin Foo (on bass, guitar and vocals). Their music is characterized by close two-part vocal harmonies inspired by The Everly Brothers coupled with hard-edged electric guitar overlaid with liberal doses of noise.<\/p><\/blockquote>\n

The Mars Volta kan du f\u00f6rst\u00e5s ocks\u00e5 tr\u00f6stlyssna p\u00e5 ifall du missade dem, p\u00e5 deras Myspace.<\/a>
\nDe har en r\u00e4tt cool hemsida ocks\u00e5.<\/a><\/p>\n

Lite fakta om The Mars Volta fr\u00e5n wikipedia:<\/a><\/p>\n

The Mars Volta (TMV eller bara Mars Volta) \u00e4r ett amerikanskt Grammy Award-vinnande rockband fr\u00e5n El Paso, Texas.[1] Bandet bildades 2001 av gitarristen Omar Rodr\u00edguez-L\u00f3pez och s\u00e5ngaren Cedric Bixler-Zavala b\u00e5da fr\u00e5n Hardcorebandet At the Drive-In. Bandet kombinerar flera genrer bl.a punk, jazz fusion, funk och latinamerikansk musik i sitt sound. B\u00e5de de sj\u00e4lva och m\u00e5nga fans tycker dock det \u00e4r tr\u00f6ttsamt att de st\u00e4ndigt ska delas in i olika genrer, framf\u00f6r allt som ambitionen med The Mars Volta var att skapa musik bortom genrernas v\u00e4rldar. De \u00e4r k\u00e4nda f\u00f6r sina energiska och improviserade liveshower, sina sv\u00e5rf\u00f6rst\u00e5liga kryptiska texter, sina elektroniska ljudeffekter, sin ambientmusik och sina konceptbaserade studioalbum. 2009 vann bandet en Grammy i kategorin ”Best Hard Rock Performance” f\u00f6r l\u00e5ten ”Wax Simulacra.”[2] Dom blev kallade rockmusikens ”B\u00e4sta Prog rock band” 2008 av musiktidningen Rolling Stone.[3] De har hittills spelat sex g\u00e5nger i Sverige, varav en g\u00e5ng som f\u00f6rband till Red Hot Chili Peppers. Deras senaste spelning i Sverige var p\u00e5 Arvikafestivalen den 2 juli 2009 av Expressen s\u00e5 fick de 4\/5 i betyg.[4] Den 30 november spelar de p\u00e5 Cirkus i Stockholm.[5]<\/p><\/blockquote>\n

Tack fans till Paramore och The Mars Volta som redan hunnit l\u00e4gga in filmklipp fr\u00e5n konserterna p\u00e5 Youtube:<\/p>\n

Paramore – The Only Exception LIVE In Stockholm 30\/11\/09<\/p>\n

<\/param><\/param><\/param><\/embed><\/object><\/p>\n

Mars Volta Live – stockholm, Cirkus, 30 november 2009<\/p>\n

<\/param><\/param><\/param><\/embed><\/object><\/p>\n

L\u00e4s \u00e4ven andra bloggares \u00e5sikter om rockmusik<\/a>, Stockholm<\/a>, filmklipp<\/a>, youtube<\/a>, indie<\/a>, Danmark<\/a>, The Mars Volta<\/a>, Paramore<\/a>, The Raveonettes<\/a>, Strand<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Paramore p\u00e5 Fryshyset, The Mars Volta p\u00e5 Cirkus och Raveonettes p\u00e5 Strand, vilken krock. Det var om\u00f6jligt f\u00f6r en musikn\u00f6rd att f\u00e5 tiden att r\u00e4cka till p\u00e5 m\u00e5ndagskv\u00e4llen utan att kunna dela sig i tre delar. H\u00e4r kan vi ju tr\u00f6stlyssna p\u00e5 det danska indiehj\u00e4ltarna i The Raveonettes, p\u00e5 deras sida p\u00e5 Myspace. Duon Raveonettes […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[1125,2467,4803,5400,6475],"class_list":{"0":"post-15428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"tag-danmark","8":"tag-indie","9":"tag-rockmusik","10":"tag-stockholm","11":"tag-youtube","12":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/15428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15428"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/15428\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}