{"id":151502,"date":"2022-03-24T21:42:59","date_gmt":"2022-03-24T19:42:59","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=151502"},"modified":"2022-03-24T21:43:01","modified_gmt":"2022-03-24T19:43:01","slug":"lyssna-lykke-li-no-hotel","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=151502","title":{"rendered":"Lyssna: Lykke Li &#8211; No Hotel"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-151508\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/03\/lyckeli.jpg\" alt=\"\" width=\"650\" height=\"650\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/03\/lyckeli.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/03\/lyckeli-300x300.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2022\/03\/lyckeli-150x150.jpg 150w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p>Lykke Li \u00e4r tillbaka med \u201dNO HOTEL\u201d, som \u00e4r f\u00f6rsta singeln fr\u00e5n albumet \u201dEYEYE\u201d som sl\u00e4pps 20 maj 2022.<br \/>\nEtt pressmeddelande ber\u00e4ttar:<br \/>\nDen 20 maj \u00e5terv\u00e4nder Lykke Li med albumet \u201dEYEYE\u201d (uttalas \u201deye\u201d), ett f\u00f6rtrollande audiovisuellt album.<br \/>\nP\u00e5 vad som \u00e4r hennes mest intima projekt hittills \u00e5terf\u00f6renas Lykke med m\u00e5ng\u00e5rige samarbetspartnern Bj\u00f6rn Yttling f\u00f6r f\u00f6rsta g\u00e5ngen sedan 2014 \u00e5rs hyllade \u201dI Never Learn\u201d.<br \/>\n\u201dEYEYE\u201d, som har spelats in i hennes sovrum i Los Angeles, \u00e4r Lykkes f\u00f6rs\u00f6k att komprimera en livstid av romantisk besatthet och kvinnliga fantasier till ett hypersensoriskt ljudlandskap.<br \/>\nF\u00f6rsta singeln fr\u00e5n albumet \u00e4r \u201dNO HOTEL\u201d, som \u00e4r ute nu.<\/p>\n<p>Albumet ramas in av sju kortfilmer regisserade av Theo Lindquist som tillsammans med musiken f\u00f6rmedlar en st\u00f6rre ber\u00e4ttelse som kretsar kring den eviga cykeln av k\u00e4rlek, beroende, \u00e5terfall och besatthet.<br \/>\n\u201dEYEYE\u201d utg\u00f6r Lykkes slutliga uppg\u00f6relse med uttrycket som definierat hela hennes karri\u00e4r. Det \u00e4r ett uppbrott fr\u00e5n uppbrottsalbumet och hennes magnum opus.<br \/>\n\u201dEYEYE\u201d, som ges ut av [PIAS]\/Play It Again Sam, skrevs och producerades av Lykke Li ihop med m\u00e5ng\u00e5rige samarbetspartnern Bj\u00f6rn Yttling.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0iP3oGotyq8PNwVHm9o2fJ\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lykke Li \u00e4r tillbaka med \u201dNO HOTEL\u201d, som \u00e4r f\u00f6rsta singeln fr\u00e5n albumet \u201dEYEYE\u201d som sl\u00e4pps 20 maj 2022. Ett pressmeddelande ber\u00e4ttar: Den 20 maj \u00e5terv\u00e4nder Lykke Li med albumet \u201dEYEYE\u201d (uttalas \u201deye\u201d), ett f\u00f6rtrollande audiovisuellt album. P\u00e5 vad som \u00e4r hennes mest intima projekt hittills \u00e5terf\u00f6renas Lykke med m\u00e5ng\u00e5rige samarbetspartnern Bj\u00f6rn Yttling f\u00f6r f\u00f6rsta [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,13624],"tags":[],"class_list":{"0":"post-151502","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"category-toppnytt","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/151502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=151502"}],"version-history":[{"count":5,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/151502\/revisions"}],"predecessor-version":[{"id":151509,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/151502\/revisions\/151509"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=151502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=151502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=151502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}