{"id":141876,"date":"2021-06-17T12:55:31","date_gmt":"2021-06-17T10:55:31","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=141876"},"modified":"2021-06-17T12:55:32","modified_gmt":"2021-06-17T10:55:32","slug":"irakisk-kristus-ateruppstar-pa-teater-galeasen-i-host","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=141876","title":{"rendered":"Irakisk Kristus \u00e5teruppst\u00e5r p\u00e5 Teater Galeasen i h\u00f6st"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-141879\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2021\/06\/image003.jpg\" alt=\"\" width=\"345\" height=\"479\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2021\/06\/image003.jpg 345w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2021\/06\/image003-216x300.jpg 216w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><\/p>\n<p>Teater Galeasens upps\u00e4ttning Irakisk Kristus av Lucas Svensson, i regi av Natalie Ringler, efter Hassan Blasims novellsamling med samma titel, fick sin urpremi\u00e4r 12 mars 2020. Endast tre f\u00f6rst\u00e4llningar kunde genomf\u00f6ras innan Galeasen, liksom alla andra scener, tvingades st\u00e4nga p\u00e5 grund av pandemin. Nu blir det nypremi\u00e4r, ber\u00e4ttar ett pressmeddelande:<\/p>\n<p>I f\u00f6rest\u00e4llningen r\u00f6r vi oss mellan Irak och Finland med ber\u00e4ttelser d\u00e4r det surrealistiska och absurda ocks\u00e5 \u00e4r helt realistiskt, ett gr\u00e4nsland mellan minne och fantasi och en brutal skildring av en r\u00e5 verklighet.<\/p>\n<p>F\u00f6rest\u00e4llningen kunde h\u00e5llas vid liv av ensemblen som tr\u00e4ffades en g\u00e5ng i veckan under v\u00e5ren 2020 f\u00f6r att repetera text och scenerier. F\u00f6rhoppningen var att genomf\u00f6ra en nypremi\u00e4r redan f\u00f6rra h\u00f6sten, en plan som dessv\u00e4rre gick i st\u00f6pet eftersom det stod klart att smittorisken var f\u00f6r h\u00f6g.<\/p>\n<p>Nu startar repetitionerna med en delvis ny ensemble och siktet \u00e4r inst\u00e4llt p\u00e5 nypremi\u00e4r den 20 september 2021, med en planerad spelperiod under hela kommande h\u00f6sten!<\/p>\n<p>Med: Malin Mases Arvidsson, Vincent Grahl, Hanna Edh, Otto Hargne, \u00c5sa Persson, Kardo Mirza, Cecilia Nilsson, Misagh Sharifian och Freddy \u00c5sblom.<\/p>\n<p>Av: Hassan Blasims I bearbetning av: Lucas Svensson Regi: Natalie Ringler Rum: Johanna M\u00e5rtensson Ljus: Jens Sethzman Kostym: Matilda Hyttsten Mask: Anna Olofson Musik: Pelle Ossler\/ Mikael Nilz\u00e9n Ljud: Tanya Byrne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teater Galeasens upps\u00e4ttning Irakisk Kristus av Lucas Svensson, i regi av Natalie Ringler, efter Hassan Blasims novellsamling med samma titel, fick sin urpremi\u00e4r 12 mars 2020. Endast tre f\u00f6rst\u00e4llningar kunde genomf\u00f6ras innan Galeasen, liksom alla andra scener, tvingades st\u00e4nga p\u00e5 grund av pandemin. Nu blir det nypremi\u00e4r, ber\u00e4ttar ett pressmeddelande: I f\u00f6rest\u00e4llningen r\u00f6r vi oss [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30,13624],"tags":[],"class_list":["post-141876","post","type-post","status-publish","format-standard","category-film","category-teater","category-toppnytt","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/141876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=141876"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/141876\/revisions"}],"predecessor-version":[{"id":141880,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/141876\/revisions\/141880"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=141876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=141876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=141876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}