{"id":134150,"date":"2020-05-07T14:38:30","date_gmt":"2020-05-07T12:38:30","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=134150"},"modified":"2020-05-07T14:38:31","modified_gmt":"2020-05-07T12:38:31","slug":"kamasi-washington-slapper-musiken-fran-netflix-dokumentaren-becoming","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=134150","title":{"rendered":"Kamasi Washington sl\u00e4pper musiken fr\u00e5n Netflix-dokument\u00e4ren Becoming"},"content":{"rendered":"

\"\"<\/p>\n

Kamasi Washington sl\u00e4pper musiken fr\u00e5n Netflix-dokument\u00e4ren Becoming.
\nEtt pressmeddelande ber\u00e4ttar:
\nDen 7:e maj avsl\u00f6jar Kamasi Washington att det \u00e4r han som har komponerat musiken till Netflix-dokument\u00e4ren Becoming som hade premi\u00e4r den 6 maj. Dokument\u00e4ren ger en intim inblick i USA:s f.d. f\u00f6rsta dam Michelle Obamas liv, och dokument\u00e4rens regiss\u00f6r Nadia Hallgren bad Washington redan i b\u00f6rjan av processen att st\u00e5 f\u00f6r musiken. Han var inte sen att nappa p\u00e5 erbjudandet, och dokument\u00e4rmusiken best\u00e5ende av s\u00e5v\u00e4l nykomponerade stycken som m\u00e4sterverk fr\u00e5n Washingtons katalog sl\u00e4pps den 15 maj under namnet Becoming (Music from the Netflix Original Documentary).<\/p>\n

Regiss\u00f6ren Hallgren beskriver samarbetet med Washington som en dr\u00f6m som gick i uppfyllelse. N\u00e4r hon fick veta att Michelle Obama \u00e4lskade jazz visste hon att fenomenet Kamasi Washington, med sitt b\u00e5de moderna och tidl\u00f6sa sound, skulle passa perfekt f\u00f6r uppdraget.<\/p>\n

Washington beskriver sin upplevelse:<\/p>\n

\u201cIt was such a pleasure and honor to work on Becoming. Michelle Obama is such an amazing person and this film gives a very unique insight to who she is, how she thinks, and the way she navigates the world. It\u2019s truly inspiring to see! Working with the film\u2019s incredible director Nadia Hallgren to create a musical palette to support this amazing piece was truly a blessing. I\u2019m so thankful to her for the opportunity to be a part of this. Barack and Michelle Obama\u2019s time as President and First Lady had an impact on the history of this country and the world that is hard to put into words, but both Michelle Obama\u2019s book and Nadia Hallgren\u2019s film do an amazing job of it!\u201d<\/p>\n

L\u00e5tlista
\n1. Shot Out Of A Cannon
\n2. Becoming
\n3. Take In The Story
\n4. Southside V.1
\n5. Dandy
\n6. The Rhythm Changes
\n7. Song For Frasier
\n8. Announcement
\n9. Detail
\n10. Fashion Then and Now
\n11. Provocation
\n12. Connections
\n13. Looking Forward
\n14. I Am Becoming
\n15. Southside V.2<\/p>\n","protected":false},"excerpt":{"rendered":"

Kamasi Washington sl\u00e4pper musiken fr\u00e5n Netflix-dokument\u00e4ren Becoming. Ett pressmeddelande ber\u00e4ttar: Den 7:e maj avsl\u00f6jar Kamasi Washington att det \u00e4r han som har komponerat musiken till Netflix-dokument\u00e4ren Becoming som hade premi\u00e4r den 6 maj. Dokument\u00e4ren ger en intim inblick i USA:s f.d. f\u00f6rsta dam Michelle Obamas liv, och dokument\u00e4rens regiss\u00f6r Nadia Hallgren bad Washington redan i […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,13624],"tags":[],"class_list":{"0":"post-134150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"category-toppnytt","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/134150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=134150"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/134150\/revisions"}],"predecessor-version":[{"id":134154,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/134150\/revisions\/134154"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=134150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=134150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=134150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}