{"id":127968,"date":"2019-09-08T08:48:43","date_gmt":"2019-09-08T07:48:43","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=127968"},"modified":"2019-09-08T08:48:45","modified_gmt":"2019-09-08T07:48:45","slug":"grattis-roy-andersson-fick-silverbjornen-i-venedig-for-regi","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=127968","title":{"rendered":"Grattis &#8211; Roy Andersson fick Silverbj\u00f6rnen i Venedig f\u00f6r regi"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-127985\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2019\/09\/unnamed-8-1.jpg\" alt=\"\" width=\"650\" height=\"365\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2019\/09\/unnamed-8-1.jpg 650w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2019\/09\/unnamed-8-1-300x168.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p>N\u00e4r filmfestivalen i Venedig avslutades p\u00e5 l\u00f6rdagskv\u00e4llen den 7 september 2019 stod det klart att Roy Andersson \u00e5ter har prisbel\u00f6nats p\u00e5 en av v\u00e4rldens st\u00f6rsta och viktigaste filmfestivaler. Roy Andersson vann Silverlejonet f\u00f6r b\u00e4sta regi f\u00f6r Om det o\u00e4ndliga.<br \/>\nEtt pressmeddelande:<\/p>\n<p>I Om det o\u00e4ndliga skildrar Roy Andersson m\u00e4nskligheten &#8211; i all dess sk\u00f6nhet och grymhet \u2013 genom ett antal sk\u00f6na, vackra och poetiska tabl\u00e5er.<\/p>\n<p>&#8211; Det \u00e4r fantastiskt! Att f\u00e5 komma tillbaka till Venedig och visa den h\u00e4r filmen \u00e4r en stor \u00e4ra, att det blev ett pris k\u00e4nns som ytterligare en bekr\u00e4ftelse p\u00e5 att vi lyckats \u00e5stadkomma n\u00e5got som ber\u00f6r. Det g\u00f6r mig b\u00e5de glad och inspirerad att jobba vidare. kommenterar Roy Andersson priset.<\/p>\n<p>&#8211; Priset \u00e4r unikt, r\u00e4ttvist och mer fantastiskt \u00e4n vad m\u00e5nga f\u00f6rst\u00e5r. Om man som Roy Andersson vinner stora priser p\u00e5 v\u00e4rldens \u00e4ldsta filmfestival tv\u00e5 g\u00e5nger i f\u00f6ljd, d\u00e5 tillh\u00f6r man en av v\u00e4rldens fr\u00e4msta regiss\u00f6rer. Jag och TriArt \u00e4r stolta \u00f6ver att f\u00e5 arbeta med honom och hans senaste film. s\u00e4ger Mattias Nohrborg, ink\u00f6pschef p\u00e5 TriArt Film<\/p>\n<p>Senast Roy Andersson bel\u00f6nades vid filmfestivalen i Venedig var d\u00e5 han tog emot Guldlejonet f\u00f6r En duva satt p\u00e5 en gren och funderade p\u00e5 tillvaron 2014. Han \u00e4r den enda svenska regiss\u00f6ren som tv\u00e5 g\u00e5nger prisbel\u00f6nats i Venedig.<\/p>\n<p>Om det o\u00e4ndliga har svensk biopremi\u00e4r den 15 november och distribueras av TriArt Film.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e4r filmfestivalen i Venedig avslutades p\u00e5 l\u00f6rdagskv\u00e4llen den 7 september 2019 stod det klart att Roy Andersson \u00e5ter har prisbel\u00f6nats p\u00e5 en av v\u00e4rldens st\u00f6rsta och viktigaste filmfestivaler. Roy Andersson vann Silverlejonet f\u00f6r b\u00e4sta regi f\u00f6r Om det o\u00e4ndliga. Ett pressmeddelande: I Om det o\u00e4ndliga skildrar Roy Andersson m\u00e4nskligheten &#8211; i all dess sk\u00f6nhet och [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50,20,13624],"tags":[12286,6207],"class_list":["post-127968","post","type-post","status-publish","format-standard","category-filmfilm","category-film","category-toppnytt","tag-film","tag-venedig","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/127968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=127968"}],"version-history":[{"count":5,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/127968\/revisions"}],"predecessor-version":[{"id":127986,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/127968\/revisions\/127986"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=127968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=127968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=127968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}