I \u00e5r, 2019, \u00e4r det 40 \u00e5r sedan rockbandet Lolita Pop gjorde sin f\u00f6rsta spelning n\u00e5gonsin. Spelningen \u00e4gde rum den 26:e maj 1979 p\u00e5 den d\u00e5 legendariska klubben Rockmagasinet i \u00d6rebro, och blev startskottet p\u00e5 en l\u00e5ng karri\u00e4r med m\u00e5nga \u00e5r av turn\u00e9er och framg\u00e5ngsrika skivsl\u00e4pp. Nu \u00e4r det klart att bandet \u00e5terf\u00f6renas i sommar i \u00d6rebro.<\/p>\n
Ett pressmail ber\u00e4ttar:
\nBland bandets st\u00f6rsta hits finns l\u00e5tar som \u201dL\u00e5nga t\u00e5g av l\u00e4ngtan\u201d, \u201dHey winner\u201d och \u201dTarzan on a big red scooter\u201d. Efter att bandet sl\u00e4ppte albumet \u201dBlumenkraft\u201d gick de \u00e5r 1991 skilda v\u00e4gar – men nu \u00e5terf\u00f6renas de allts\u00e5 under Live at Hearts tio\u00e5rsjubileum.
\n\u201dLive at Heart har fr\u00e5gat oss om en \u00e5terf\u00f6reningen under alla \u00e5r. Nu \u00e4r det 40 \u00e5r sen och stj\u00e4rnorna st\u00e5r \u00e4ntligen r\u00e4tt. S\u00e5 nu k\u00f6r vi. Jag l\u00e4ngtar efter att f\u00e5 h\u00f6ra Benkt och Stens gitarrer\u201d s\u00e4ger Karin Wistrand
\n\u201dDet k\u00e4nns otroligt roligt att v\u00e5ra lokala rockhj\u00e4ltar v\u00e4ljer att \u00e5terf\u00f6renas under Live at Heart. Sen \u00e4r det f\u00f6rst\u00e5s en kul detalj att det h\u00e4r blir av n\u00e4r b\u00e5de vi och Lolita Pop firar jubileum\u201d s\u00e4ger Magnus Tunmats festivalkoordinator p\u00e5 Live at Heart.<\/p>\n
Live at Heart \u00e4ger rum mellan den 4-7:e september i \u00d6rebro.<\/p>\n","protected":false},"excerpt":{"rendered":"
I \u00e5r, 2019, \u00e4r det 40 \u00e5r sedan rockbandet Lolita Pop gjorde sin f\u00f6rsta spelning n\u00e5gonsin. Spelningen \u00e4gde rum den 26:e maj 1979 p\u00e5 den d\u00e5 legendariska klubben Rockmagasinet i \u00d6rebro, och blev startskottet p\u00e5 en l\u00e5ng karri\u00e4r med m\u00e5nga \u00e5r av turn\u00e9er och framg\u00e5ngsrika skivsl\u00e4pp. Nu \u00e4r det klart att bandet \u00e5terf\u00f6renas i sommar […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,13624],"tags":[],"class_list":{"0":"post-125051","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"category-toppnytt","8":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/125051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=125051"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/125051\/revisions"}],"predecessor-version":[{"id":125052,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/125051\/revisions\/125052"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=125051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=125051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=125051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}