{"id":12429,"date":"2009-09-04T20:06:31","date_gmt":"2009-09-04T18:06:31","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=12429"},"modified":"2009-09-04T20:06:31","modified_gmt":"2009-09-04T18:06:31","slug":"madonna-satter-det-ena-publikrekordet-efter-det-andra","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=12429","title":{"rendered":"Madonna s\u00e4tter det ena publikrekordet efter det andra"},"content":{"rendered":"

\"madonna_live\"
\nMadonnas turn\u00e9 ”Sticky & Sweet” skrev historia n\u00e4r den avslutades nyligen i Tel Aviv, Israel p\u00e5 Yehoshua Gardens (HaYarkon Park, (1 och 2 september). Allas v\u00e5r Material Girl lever mer \u00e4n n\u00e5gonsin upp till sitt namn, nu n\u00e4r hennes turn\u00e9 \u00e4r en soloartists mest framg\u00e5ngsrika n\u00e5gonsin. Efter att ha spelat 85 f\u00f6rest\u00e4llningar sedan premi\u00e4ren i augusti 2008 har Madonnas ”Sticky & Sweet”-turn\u00e9 setts av \u00f6ver 3,5 miljoner fans i 32 l\u00e4nder och har dragit in 408 miljoner dollar; detta har tillk\u00e4nnagetts av Live Nation, turn\u00e9ns globala producent. ”Sticky & Sweet” \u00e4r dessutom den n\u00e4st mest inkomstbringande turn\u00e9n n\u00e5gonsin.<\/p>\n

Madonna har satt nya niv\u00e5er f\u00f6r flertalet publikrekord l\u00e4ngs v\u00e4gen: i Z\u00fcrich har hon st\u00f6rsta antalet konsertbes\u00f6kare i landet n\u00e5gonsin f\u00f6r en show (72000). Hennes G\u00f6teborgsframtr\u00e4danden p\u00e5 Ullevi s\u00e5gs av 119000 fans och satte nytt rekord f\u00f6r mest inkomstbringande konsertserie i landet. I Helsingfors s\u00e5lde ”Sticky & Sweet” \u00f6ver 85000 biljetter, vilket gjorde showen till den st\u00f6rsta enskilda n\u00e5gonsin av en artist \u00f6ver hela Skandinavien. Andra h\u00f6jdpunkter p\u00e5 turn\u00e9n \u00e4r bl a Buenos Aires, Argentina (256000), Santiago, Chile (146000), Sao Paulo, Brasilien (203000), Tallinn, Estland (72000), Warszawa, Polen (79000), Bucharest, Rum\u00e4nien (69000), and Sofia, Bulgarien (54000).<\/p>\n

’Med ”Sticky & Sweet” har Madonna \u00e5terigen bevisat att det bildligt talat inte finns n\u00e5gra gr\u00e4nser f\u00f6r vad hon kan \u00e5stadkomma b\u00e5de kreativt och kommersiellt sett’, s\u00e4ger Arthur Fogel, Live Nation’s Chairman of Global Music och CEO of Global Touring. <\/p>\n

”Sticky & Sweet” slog Madonnas tidigare satta rekord f\u00f6r mest framg\u00e5ngsrika turn\u00e9 av en soloartist f\u00f6r 2006 \u00e5rs Confessions Tour, som inbringade 194 miljoner dollar.<\/p>\n

Madonnas kommande CD, ”CELEBRATION” – the definitive Madonna collection – \u00e4r satt att sl\u00e4ppas i slutet av september.<\/p>\n

L\u00e4s \u00e4ven andra bloggares \u00e5sikter om musik<\/a>, Madonna<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Madonnas turn\u00e9 ”Sticky & Sweet” skrev historia n\u00e4r den avslutades nyligen i Tel Aviv, Israel p\u00e5 Yehoshua Gardens (HaYarkon Park, (1 och 2 september). Allas v\u00e5r Material Girl lever mer \u00e4n n\u00e5gonsin upp till sitt namn, nu n\u00e4r hennes turn\u00e9 \u00e4r en soloartists mest framg\u00e5ngsrika n\u00e5gonsin. Efter att ha spelat 85 f\u00f6rest\u00e4llningar sedan premi\u00e4ren i […]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[12282],"class_list":["post-12429","post","type-post","status-publish","format-standard","category-musik","tag-musik","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/12429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12429"}],"version-history":[{"count":0,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/12429\/revisions"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}