{"id":119046,"date":"2018-07-29T14:35:47","date_gmt":"2018-07-29T13:35:47","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=119046"},"modified":"2018-07-29T14:35:47","modified_gmt":"2018-07-29T13:35:47","slug":"opera-orfeus-eurydike-pa-confidencen-orfeus-i-magisk-miljo","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=119046","title":{"rendered":"Opera: Orfeus &#038; Eurydike p\u00e5 Confidencen &#8211; Orfeus i magisk milj\u00f6"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/07\/orfeusoch.jpg\" alt=\"\" width=\"400\" height=\"266\" class=\"aligncenter size-full wp-image-119047\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/07\/orfeusoch.jpg 400w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/07\/orfeusoch-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Opera: \u201dOrfeus &#038; Eurydike\u201d<br \/>\n(Tons\u00e4ttare: Christoph Willibald Gluck)<br \/>\nScen: Confidencen Ulriksdals slottsteater<br \/>\nVersion och musikalisk ledning: Arnold \u00d6stman<br \/>\nOrfeus: Maria Sanner<br \/>\nEurydike: Albina Isufi<br \/>\nAmor: Johanna Wallroth<\/p>\n<p>Allt h\u00e4nger samman; st\u00e4mmorna, dansen, kulisserna och ljuset \u2013 C W Glucks reformopera, uruppf\u00f6rd 1762 i Wien, ter sig i Arnold \u00d6stmans version b\u00e5de sj\u00e4lvklar och milt dr\u00f6msk. Confidencens 1700-tals rum \u00e4r i sig en upplevelse, fladdrande ljus, tidstrogen dekor och kostym bidrar till st\u00e4mningen.<\/p>\n<p>Ulriksdals slottsteater ger i sommar 18 f\u00f6rest\u00e4llningar av \u201dOrfeus &#038; Eurydike\u201d, till och med den 26 augusti. Sagan om halvguden och nymfen ber\u00e4ttas i bilder, med kulissbyten flera g\u00e5nger inf\u00f6r \u00f6ppen rid\u00e5: fr\u00e5n slottsparken med vindlande g\u00e5ngar till underjorden, till Elysium och \u00e5ter till jorden.<\/p>\n<p>Upplevelsen ligger till stor del i helheten, d\u00e4r delarna \u2013 och individuella insatser \u2013 ibland st\u00e5r ut, som Maria Sanners klara alt i tolkningen av Orfeus (ursprungligen sjungen av en kastrats\u00e5ngare).Eller Anna Kjellsdotters historiska kostym. Eller ensemblens fl\u00f6jtist. Framf\u00f6r allt bidrar alla till att skapa den enhet som lyfter verket.<\/p>\n<p>Ofta att helvetsskildringar intressantare \u00e4n bilder fr\u00e5n paradisisk milj\u00f6, s\u00e5 ocks\u00e5 h\u00e4r. Framst\u00e4llningen av hur Charon f\u00f6r Orfeus \u00f6ver floden Styx till d\u00f6dsriket \u00e4r enkel men effektfull. Helvetshunden och furierna, mot fonden i r\u00f6tt med infernots alla symboler, blir sp\u00e4nnande p\u00e5 riktigt.<\/p>\n<p>Just tack vare det helgjutna i iscens\u00e4ttningen kan ocks\u00e5 den mindre vana operabes\u00f6karen njuta av Glucks verk. Och av milj\u00f6n i och kring Confidencen, som rymmer Sveriges \u00e4ldsta bevarade rokokoteater.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Opera: \u201dOrfeus &#038; Eurydike\u201d (Tons\u00e4ttare: Christoph Willibald Gluck) Scen: Confidencen Ulriksdals slottsteater Version och musikalisk ledning: Arnold \u00d6stman Orfeus: Maria Sanner Eurydike: Albina Isufi Amor: Johanna Wallroth Allt h\u00e4nger samman; st\u00e4mmorna, dansen, kulisserna och ljuset \u2013 C W Glucks reformopera, uruppf\u00f6rd 1762 i Wien, ter sig i Arnold \u00d6stmans version b\u00e5de sj\u00e4lvklar och milt dr\u00f6msk. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[13630,16,13624],"tags":[4147,12285,13727],"class_list":{"0":"post-119046","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-opera","7":"category-recension","8":"category-toppnytt","9":"tag-opera","10":"tag-recension","11":"tag-ulriksdals-slott","12":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/119046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=119046"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/119046\/revisions"}],"predecessor-version":[{"id":119048,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/119046\/revisions\/119048"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=119046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=119046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=119046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}