{"id":116114,"date":"2018-02-26T17:58:19","date_gmt":"2018-02-26T16:58:19","guid":{"rendered":"https:\/\/kulturbloggen.com\/?p=116114"},"modified":"2018-02-26T18:00:27","modified_gmt":"2018-02-26T17:00:27","slug":"cinema-africa-20-ar-kulturbloggen-recenserar-arets-filmer","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=116114","title":{"rendered":"Cinema Africa 20 \u00e5r- F\u00f6lj Kulturbloggens rapport fr\u00e5n festivalen"},"content":{"rendered":"<figure id=\"attachment_116115\" aria-describedby=\"caption-attachment-116115\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/02\/201711638_1_IMG_543x305.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-116115\" src=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/02\/201711638_1_IMG_543x305-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/02\/201711638_1_IMG_543x305-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2018\/02\/201711638_1_IMG_543x305.jpg 458w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-116115\" class=\"wp-caption-text\">Felicit\u00e9<\/figcaption><\/figure>\n<p>Cinema Africa firar 20 \u00e5r och bjuder i \u00e5r p\u00e5 ett gediget program med dokument\u00e4rer, kortfilm, experimentell film, VR-upplevelser och biofilm med teman kring humanism och m\u00e4nskligt v\u00e4rde.<\/p>\n<p>I k\u00f6lvattnet av Metoo \u00e4r det fler och fler filmfestivaler &#8211; fr\u00e5n Feminisitiska filmfestivalen till Women in Horror &#8211; som tar avstamp i det kvinnliga filmskapandet.\u00a0 Sedan start har Cinema Africa lyft feministiska, antirasistiska och intersektionella fr\u00e5gor. Rwanda-filmerna Sacred Water och The Secret of Happines s\u00e4tter fokus p\u00e5 den situation som r\u00e5der idag f\u00f6r unga Rwandiska kvinnor. The Wound handlar om stereotyp manlighet och homofobi i en maskuliniserat land. Premi\u00e4rfilmen Felicit\u00e9, Senegals oscarskandidat om\u00a0klubbss\u00e5ngerskan och ensamst\u00e5ende mamman Felicit\u00e9, visas ikv\u00e4ll p\u00e5 Oscarsteatern. Johannes Anyuru inviger kv\u00e4llen med ett framtr\u00e4dande.\u00a0Biljetterna till kv\u00e4llen \u00e4r sluts\u00e5lda. En recension kommer inom kort av filmen Felicit\u00e9 och Kulturbloggen rapporterar under hela veckan fr\u00e5n en av v\u00e4rldens st\u00f6rsta afrikanska filmfestivaler.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinema Africa firar 20 \u00e5r och bjuder i \u00e5r p\u00e5 ett gediget program med dokument\u00e4rer, kortfilm, experimentell film, VR-upplevelser och biofilm med teman kring humanism och m\u00e4nskligt v\u00e4rde. I k\u00f6lvattnet av Metoo \u00e4r det fler och fler filmfestivaler &#8211; fr\u00e5n Feminisitiska filmfestivalen till Women in Horror &#8211; som tar avstamp i det kvinnliga filmskapandet.\u00a0 Sedan [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[],"class_list":["post-116114","post","type-post","status-publish","format-standard","category-film","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/116114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=116114"}],"version-history":[{"count":4,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/116114\/revisions"}],"predecessor-version":[{"id":116119,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/116114\/revisions\/116119"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=116114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=116114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=116114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}