{"id":113949,"date":"2017-11-30T17:20:37","date_gmt":"2017-11-30T16:20:37","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=113949"},"modified":"2017-12-03T15:35:28","modified_gmt":"2017-12-03T14:35:28","slug":"filmrecension-call-me-by-your-name-intensivt-och-omtumlande-om-forsta-karleken","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=113949","title":{"rendered":"Filmrecension: Call me by your name &#8211; Intensivt och omtumlande om f\u00f6rsta k\u00e4rleken"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/Call-Me-By-Your-Name-1-1600x900-c-default.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-113981\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/Call-Me-By-Your-Name-1-1600x900-c-default-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/Call-Me-By-Your-Name-1-1600x900-c-default-300x169.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/Call-Me-By-Your-Name-1-1600x900-c-default-768x432.jpg 768w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/Call-Me-By-Your-Name-1-1600x900-c-default-1024x576.jpg 1024w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/Call-Me-By-Your-Name-1-1600x900-c-default.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\nCall me by your name<br \/>\nBetyg 5<br \/>\nRegi Luca Guadagnino<br \/>\nSvensk biopremi\u00e4r 22 december<\/p>\n<p>\u00c5rets oscarshype \u00e4r h\u00e4r och vilken film. Killvarianten av <i>Bl\u00e5 \u00e4r den varmaste f\u00e4rgen<\/i> \u00e4r en varm och hj\u00e4rtsk\u00e4rande historia om f\u00f6r\u00e4lskelse och hj\u00e4rtesorg. I en norditaliensk sm\u00e5stad i en lyxvilla n\u00e4ra havet bor Elio tillsammans med sina f\u00f6r\u00e4ldrar. Elio \u00e4r en bortsk\u00e4md yngling vars fritids fylls med klassisk musik och lyrik. En dag m\u00f6ter Elio Olivier, en kringresande aff\u00e4rsman som rymt fr\u00e5n tristessen i New York f\u00f6r att f\u00e5nga dagen i romantikens land Italien. Han faller pladask f\u00f6r den blonde fotomodellsnygge amerikanen. Men \u00e4r k\u00e4nslorna besvarade?<\/p>\n<p>I Italiens f\u00f6rlovade land bland vidstr\u00e4ckta palmtr\u00e4d och soldr\u00e4nkta str\u00e4nder utspelar sig romansen. H\u00e4r fattar tv\u00e5 m\u00e4n tycke f\u00f6r varandra. Tv\u00e5 konstn\u00e4rssj\u00e4lar binder ett v\u00e4nskapsband som snabbt utvecklas till n\u00e5got mera.<\/p>\n<p><i>Call me by your name<\/i> \u00e4r en stark k\u00e4rlekshistoria om tv\u00e5 alfahannar som i en tid av begr\u00e4nsande normer v\u00e5gar f\u00f6lja sitt hj\u00e4rtas s\u00e5ng. B\u00e5de sk\u00e5despel och manus h\u00e5ller toppklass.<\/p>\n<p>Men filmens verkliga styrka \u00e4r intensiteten. Inte sedan Kechiches <i>Bl\u00e5 \u00e4r den varmaste f\u00e4rgen <\/i>har k\u00e4rleken k\u00e4nts s\u00e5 r\u00e5, brutal, \u00e4rlig och utan sans. Call me by your name ger en komplex bild av livet som HBTQ-person under 1980-talets Europa. Surfjan Stevens muntra pianospel inramar snyggt den f\u00f6rbjudna romansen.<\/p>\n<p>Filmen \u00e4r ett drama av m\u00e4starklass i niv\u00e5 med Abdellatif Kechiche och Xavier Dolan, filmskapare med tydligt HBTQ-perspektiv.<\/p>\n<p>S\u00e5 l\u00e5t Oscarsstatyetterna regna \u00f6ver regiss\u00f6ren Luca Guadagnino. Och l\u00e5t biograferna flockas av k\u00e4rlekskranka cinefiler. <em>Call me by your name<\/em> \u00e4r en k\u00e4nslornas berg-o-dal-bana vi aldrig vill ska ta slut.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Call me by your name Betyg 5 Regi Luca Guadagnino Svensk biopremi\u00e4r 22 december \u00c5rets oscarshype \u00e4r h\u00e4r och vilken film. Killvarianten av Bl\u00e5 \u00e4r den varmaste f\u00e4rgen \u00e4r en varm och hj\u00e4rtsk\u00e4rande historia om f\u00f6r\u00e4lskelse och hj\u00e4rtesorg. I en norditaliensk sm\u00e5stad i en lyxvilla n\u00e4ra havet bor Elio tillsammans med sina f\u00f6r\u00e4ldrar. Elio \u00e4r [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50,51,16],"tags":[12285],"class_list":["post-113949","post","type-post","status-publish","format-standard","category-filmfilm","category-filmer","category-recension","tag-recension","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/113949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113949"}],"version-history":[{"count":10,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/113949\/revisions"}],"predecessor-version":[{"id":114116,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/113949\/revisions\/114116"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}