{"id":113409,"date":"2017-11-10T17:42:57","date_gmt":"2017-11-10T15:42:57","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=113409"},"modified":"2017-11-16T10:03:29","modified_gmt":"2017-11-16T09:03:29","slug":"filmrecension-son-of-sofia","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=113409","title":{"rendered":"Filmrecension: Son of Sofia &#8211; starkt om komplicerade familjef\u00f6rh\u00e5llanden"},"content":{"rendered":"<p><em><span style=\"font-weight: 400;\"><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/son-of-sofia-poster.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-113439\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/son-of-sofia-poster-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/son-of-sofia-poster-210x300.jpg 210w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/son-of-sofia-poster-768x1098.jpg 768w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/son-of-sofia-poster-717x1024.jpg 717w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/11\/son-of-sofia-poster.jpg 1433w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><\/span><\/em><br \/>\nSon of Sofia<br \/>\nBetyg 4<br \/>\n<span style=\"font-weight: 400;\">Regi: \u00a0Elina Psykou<\/span><br \/>\nNordisk premi\u00e4r<\/p>\n<p><span style=\"font-weight: 400;\">M\u00f6rka grekiska dramer har vi f\u00e5tt v\u00e5r beskedliga del av de senaste tio \u00e5ren. Trenden startade med nattsvarta <em>Dogtooth<\/em> som f\u00f6ljdes upp av <em>Luton<\/em>, <em>Miss Violence<\/em> och <em>Alper<\/em>. <em>Son of Sofia<\/em> g\u00e5r i samma anda. Elina Psykou, filmskaparen bakom prisbel\u00f6nta <em>The Eternal Return of Antonia Paraske<\/em>vas, har regisserat ett tungt drama om sv\u00e5ra uppv\u00e4xtf\u00f6rh\u00e5llanden och komplicerade familjerelationer. Misha tvingas l\u00e4mna hemlandet Ryssland f\u00f6r att flytta ihop med mamman som bor i Grekland tillsammans med en ny man. Plastpappan Nikos \u00e4r en 69 \u00e5rig herre som fortfarande lever kvar i det f\u00f6rflutna. F\u00f6r drygt trettio \u00e5r sedan var han en erk\u00e4nd barnprogramsledare. Nikos uppfostran \u00e4r str\u00e4ng. Ingen ryska till\u00e5ts i hemmet. Misha p\u00e5tvingas alla Nikos intressen &#8211; utkl\u00e4dnad, militarism och olympiska spelen. Pojken ogillar allt Niko st\u00e5r f\u00f6r.\u00a0 Med tystnaden som uttrycksform f\u00f6rs\u00f6ker han att g\u00f6ra sig h\u00f6rd hos modern. Men Sofia \u00e4r sedan l\u00e4nge inf\u00e5ngad i generalens lasso. Som skydd mot omv\u00e4rlden fantiserar Misha om en dr\u00f6mlik plats befolkad av diverse exotiska djur. Det blir en v\u00e4lbeh\u00f6vlig verklighetsflykt fr\u00e5n mis\u00e4ren. De &#8221;Where the wild things are\u201d-liknande dr\u00f6mscenerna fungerar sis\u00e5d\u00e4r. Ist\u00e4llet \u00e4r det maktspelet en nio\u00e5rig kille och 69 \u00e5rig herre som fascinerar. Med sm\u00e5 medel &#8211; Ett ansiktsuttryck, ett falskt leeende &#8211; lyckas Victor Khamou som Misha \u00f6vertyga.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em>Son of Sofia<\/em> k\u00e4nns i magen. Med ett imponerande sk\u00e5despel och en skicklig regi \u00e4r Elina Pskykou helt klart en t\u00e4nkbar kandidat till \u00e5rets bronsh\u00e4st.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Son of Sofia Betyg 4 Regi: \u00a0Elina Psykou Nordisk premi\u00e4r M\u00f6rka grekiska dramer har vi f\u00e5tt v\u00e5r beskedliga del av de senaste tio \u00e5ren. Trenden startade med nattsvarta Dogtooth som f\u00f6ljdes upp av Luton, Miss Violence och Alper. Son of Sofia g\u00e5r i samma anda. Elina Psykou, filmskaparen bakom prisbel\u00f6nta The Eternal Return of Antonia [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50,51,16],"tags":[],"class_list":["post-113409","post","type-post","status-publish","format-standard","category-filmfilm","category-filmer","category-recension","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/113409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113409"}],"version-history":[{"count":8,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/113409\/revisions"}],"predecessor-version":[{"id":113415,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/113409\/revisions\/113415"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}