{"id":112786,"date":"2017-10-14T18:21:24","date_gmt":"2017-10-14T16:21:24","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=112786"},"modified":"2017-10-14T18:21:24","modified_gmt":"2017-10-14T16:21:24","slug":"lyssna-honningbarna-hold-an-ann","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=112786","title":{"rendered":"Lyssna: Honningbarna &#8211; Hold an Ann"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/10\/honningbarna.jpg\" alt=\"\" width=\"450\" height=\"300\" class=\"aligncenter size-full wp-image-112789\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/10\/honningbarna.jpg 450w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/10\/honningbarna-300x200.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>Norska Honningbarna har sl\u00e4ppt en ny singel: HOLD AN ANN.<\/p>\n<p>Bandet spelar live i Sverige i februari:<\/p>\n<p>Feb 01 &#8211; Stockholm, Debaser Strand<br \/>\nFeb 02 &#8211; G\u00f6teborg, Sticky Fingers<br \/>\nFeb 03 &#8211; Malm\u00f6, Plan B<\/p>\n<p>Ett pressmail:<br \/>\nDet \u00e4r m\u00e5nga band som beskrivs som \u00abett av det b\u00e4sta livebanden\u00bb, men Honningbarna har det svart p\u00e5 vitt fr\u00e5n b\u00e5de h\u00e4r och d\u00e4r, med hyllande utm\u00e4rkelser som \u00ab\u00e5rets live\u00bb p\u00e5 P3 Gull i Norge. Nu sl\u00e4pper de ett nytt album, och d\u00e5 skall det sj\u00e4lvklart ocks\u00e5 turneras!<\/p>\n<p>Om plattan, som sl\u00e4pps i vinter, skriver de:<br \/>\n <em>Det \u00e4r meningsl\u00f6st att br\u00e4nna ner skiten om man inte har n\u00e5gon att g\u00f6ra det tillsammans med, om man inte g\u00f6r det av v\u00e4lg\u00f6renhet. Mer \u00e4n ett band, \u00e4r Honningbarna en klan f\u00f6r alla som k\u00e4nner sig fr\u00e4mmande, bortkomna eller bara uttr\u00e5kade till d\u00f6ds i denna v\u00e4rld vi lever i.<\/em> <\/p>\n<p>\u00abVoldelig lyd\u00bb \u00e4r den femte plattan fr\u00e5n norska bibelb\u00e4ltets finaste br\u00e5kstakar, de rasar vidare i samma sp\u00e5r som p\u00e5 f\u00f6reg\u00e5ngarna \u00abOpp de nye blanke\u00bb (2015) och \u00abGoldenboy\u00bb (2016).<br \/>\nI st\u00e4llet f\u00f6r att l\u00e5tsas som att det traditionella albumformatet fortfarande har en framtid, h\u00e5ller \u00abVoldelig lyd\u00bb allt kort och gott: nio sp\u00e5r p\u00e5 tiden det tar en ingrodd proggrockare att komma till po\u00e4ngen. <\/p>\n<p>F\u00f6r trots allt, \u00e4r det br\u00e5ttom som fan, som kvintetten deklarerar p\u00e5 albumet i l\u00e5ten \u201dHaster Som Faen\u201d. Det \u00e4r ju sv\u00e5rt att vara struliga skitungar f\u00f6r alltid (\u00abN\u00e5r vi blir eldre ska\u2019 vi selge ud\/n\u00e5r vi eldre ska\u2019 vi feige ud\u00bb), det \u00e4r nu eller aldrig Honningbarna m\u00e5ste s\u00e4tta k\u00e4ppar i hjulet f\u00f6r Mannen, det patriarkaliska och giriga sp\u00f6ket som stadigt f\u00f6r oss n\u00e4rmare det kollektiva sj\u00e4lvmordet.<\/p>\n<p>Albumtiteln \u00abVoldelig lyd\u00bb visar att Honningbarnas  punkrock st\u00e4ndigt f\u00e5r vassare armb\u00e5gar \u2013 \u00abVLDG\u00bb \u00e4r bandets f\u00f6rsta bidrag till noise-genren \u2013 som g\u00e5r i takt med samh\u00e4llets kakafoni. <\/p>\n<p>Deras m\u00e5l \u00e4r att rikta den m\u00e5ll\u00f6sa aggressionen, den som ger en lust att kasta sig utf\u00f6r stupet, mot de som verkligen f\u00f6rtj\u00e4nar det. \u00abDu e\u2019 f\u00f8dt feig\/Men \u00e6 e\u2019 her for d\u00e6\u00bb, vr\u00e5lar s\u00e5ngaren Edvard Valberg p\u00e5 \u00abF\u00f8dt feig\/d\u00f8 bleig\u00bb. <\/p>\n<p><strong>Turn\u00e9<\/strong><br \/>\nJan 11 &#8211; T\u00f8nsberg, Gamle Total<br \/>\nJan 12 &#8211; Horten, Glassmagasinet<br \/>\nJan 13 &#8211; Oslo, Rockefeller<br \/>\nJan 19 &#8211; Sogndal, Meieriet<br \/>\nJan 20 &#8211; Bergen, USF Verftet<br \/>\nJan 26 &#8211; \u00c5lesund, Terminalen<br \/>\nJan 27 &#8211; Trondheim, Samfundet<br \/>\nFeb 01 &#8211; Stockholm, Debaser Strand<br \/>\nFeb 02 &#8211; G\u00f6teborg, Sticky Fingers<br \/>\nFeb 03 &#8211; Malm\u00f6, Plan B<br \/>\nFeb 09 &#8211; Kristiansand, Teateret<br \/>\nFeb 10 &#8211; Stavanger, Folken<br \/>\nFeb 15 &#8211; Troms\u00f8, Bastard Bar<br \/>\nMar 10 &#8211; B\u00f8, Kroa i B\u00f8<br \/>\nMar 16 &#8211; Drammen, Union Scene<br \/>\nMar 17 &#8211; Porsgrunn, Sort og Bl\u00e5 Scene<\/p>\n<p><strong>Honningbarna best\u00e5r av:<\/strong><br \/>\nEdvard Valberg (vokal og cello)<br \/>\nLars Emmelthun (bass)<br \/>\nChristoffer Tr\u00e6dal (gitar)<br \/>\nSimen F\u00f8lstad Nilsen (gitar)<br \/>\nNils J\u00f8rgen Nilsen (trommer)<br \/>\n\u200b<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3dlqi8MrIXZaFyRGavK0y6\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Norska Honningbarna har sl\u00e4ppt en ny singel: HOLD AN ANN. Bandet spelar live i Sverige i februari: Feb 01 &#8211; Stockholm, Debaser Strand Feb 02 &#8211; G\u00f6teborg, Sticky Fingers Feb 03 &#8211; Malm\u00f6, Plan B Ett pressmail: Det \u00e4r m\u00e5nga band som beskrivs som \u00abett av det b\u00e4sta livebanden\u00bb, men Honningbarna har det svart p\u00e5 [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-112786","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/112786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=112786"}],"version-history":[{"count":3,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/112786\/revisions"}],"predecessor-version":[{"id":112791,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/112786\/revisions\/112791"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=112786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=112786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=112786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}