{"id":112337,"date":"2017-09-23T18:23:48","date_gmt":"2017-09-23T16:23:48","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=112337"},"modified":"2017-09-23T18:23:48","modified_gmt":"2017-09-23T16:23:48","slug":"jan-malmsjo-pa-scen-i-samuel-becketts-krapps-sista-band","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=112337","title":{"rendered":"Jan Malmsj\u00f6 p\u00e5 scen i Samuel Becketts Krapps sista band"},"content":{"rendered":"<figure id=\"attachment_112338\" aria-describedby=\"caption-attachment-112338\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/09\/janmalmsjo_becket.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/09\/janmalmsjo_becket-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"size-medium wp-image-112338\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/09\/janmalmsjo_becket-300x200.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/09\/janmalmsjo_becket-768x512.jpg 768w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2017\/09\/janmalmsjo_becket.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-112338\" class=\"wp-caption-text\">Foto: S\u00f6ren Vilks<\/figcaption><\/figure>\n<p>Med Krapps sista band g\u00f6r Jan Malmsj\u00f6 f\u00f6r f\u00f6rsta g\u00e5ngen en teatermonolog. F\u00f6r regi och scenografi st\u00e5r Karl Dun\u00e9r. Premi\u00e4r p\u00e5 M\u00e5larsalen den 13 oktober.<\/p>\n<p>Ett pressmeddelande:<br \/>\n&#8211; Krapps sista band \u00e4r Becketts mest personliga pj\u00e4s \u2013 d\u00e4r allt pendlar mellan ljus och m\u00f6rker, tystnader och ord, f\u00f6rfluten och p\u00e5g\u00e5ende tid, mellan minne och gl\u00f6mska. Det \u00e4r fantastiskt att under flera m\u00e5nader umg\u00e5s med b\u00e5de Jan och Krapp, b\u00e5da lika enast\u00e5ende, s\u00e4ger Karl Dun\u00e9r.<\/p>\n<p>Varje f\u00f6delsedag spelar Krapp in ett band d\u00e4r han summerar \u00e5ret som g\u00e5tt. Han fyller idag 69 \u00e5r och v\u00e4rmer upp med att lyssna p\u00e5 tidigare \u00e5rs inspelningar. Han \u00e5terv\u00e4nder s\u00e4rskilt till en inspelning han gjorde 30 \u00e5r tidigare.<\/p>\n<p>Krapps sista band fr\u00e5n 1958 av nobelpristagaren Samuel Beckett \u00e4r p\u00e5 en g\u00e5ng ett monodrama framf\u00f6rt av en ensam sk\u00e5despelare och en dialog med r\u00f6ster fr\u00e5n Krapps alla \u00e5ldrar. I rollen som Krapp ser vi Jan Malmsj\u00f6, som under \u00e5ren medverkat i en rad upps\u00e4ttningar p\u00e5 Dramaten, senast i Fanny och Alexander, Farliga f\u00f6rbindelser och Rosmersholm.<\/p>\n<p>Karl Dun\u00e9r har tidigare p\u00e5 Dramaten bland annat regisserat Becketts pj\u00e4ser I v\u00e4ntan p\u00e5 Godot (1990), Lyckliga dagar (1998) och Ur ett \u00f6vergivet arbete (2009). Karl Dun\u00e9rs senaste upps\u00e4ttning p\u00e5 Dramaten var Den fj\u00e4ttrade Prometheus av Aischylos, som bel\u00f6nades med Svenska Teaterkritikers F\u00f6renings teaterpris 2015.<\/p>\n<p><strong>\u00d6vers\u00e4ttning<\/strong> Magnus Hedlund<br \/>\n<strong>Regi och scenografi<\/strong> Karl Dun\u00e9r<br \/>\n<strong>Peruk och mask<\/strong> Melanie \u00c5berg<br \/>\n<strong>Ljus<\/strong> Hans \u00c5ke Sj\u00f6quist<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Med Krapps sista band g\u00f6r Jan Malmsj\u00f6 f\u00f6r f\u00f6rsta g\u00e5ngen en teatermonolog. F\u00f6r regi och scenografi st\u00e5r Karl Dun\u00e9r. Premi\u00e4r p\u00e5 M\u00e5larsalen den 13 oktober. Ett pressmeddelande: &#8211; Krapps sista band \u00e4r Becketts mest personliga pj\u00e4s \u2013 d\u00e4r allt pendlar mellan ljus och m\u00f6rker, tystnader och ord, f\u00f6rfluten och p\u00e5g\u00e5ende tid, mellan minne och gl\u00f6mska. [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30],"tags":[2614,11959],"class_list":{"0":"post-112337","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"category-teater","8":"tag-jan-malmsjo","9":"tag-samuel-beckett","10":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/112337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=112337"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/112337\/revisions"}],"predecessor-version":[{"id":112339,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/112337\/revisions\/112339"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=112337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=112337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=112337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}