{"id":108944,"date":"2017-04-28T17:02:37","date_gmt":"2017-04-28T16:02:37","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=108944"},"modified":"2017-07-27T18:19:52","modified_gmt":"2017-07-27T16:19:52","slug":"musikrecension-fionn-regan-the-meetings-of-the-waters","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=108944","title":{"rendered":"Skivrecension: Fionn Regan – The Meetings Of The Waters"},"content":{"rendered":"

\"\"<\/a>
\nArtist\u00a0Fionn Regan
\nTitel The Meetings Of The Waters<\/em>
\nBetyg 4
\nRelease April<\/span><\/p>\n

Melankoli, tragik och k\u00e4rlekens enigma. Fionn Regan trycker p\u00e5 v\u00e5ra sm\u00e4rtpunkter. Med k\u00e4nsla f\u00f6r det filmiska skapar han musik f\u00f6r dr\u00f6mmare. Folk blandas med akustiskt som blandas med electro. The Meeting of The Waters<\/em>\u00a0f\u00e5ngar lyssnaren och l\u00e4mnar avtryck. <\/span><\/p>\n

Han \u00e4r irl\u00e4ndaren som 26 \u00e5r gammal nominerades till brittiska <\/span>Mercurry Prize<\/span><\/i> och amerikanska <\/span>The Shortlist Music<\/span><\/i> Prize. Han \u00e4r folks\u00e5ngaren som beskrivits som v\u00e5r tids Bob Dylan. Han \u00e4r Fionn Regan.\u00a0<\/span>Neil Young likas\u00e5 nutida crooners som Conor Oberst, Father John Misty och Damien Jurado har inspirerat. Det \u00e4r folkrock i modern \u00a0tappning med texter vars poetiska kvalitet ligger l\u00e5ngt \u00f6ver normal man-med-gitarr-standard. Poesin fl\u00f6dar fram. \u00a0\u201cMouth is of sapphire when you speak there is a spark across the room\u201d. Regan sjunger ut sin sm\u00e4rta och fl\u00e4ker ut den inf\u00f6r v\u00e4rlden. <\/span><\/p>\n

Den filmiska <\/span>The Meeting Of The Waters<\/span><\/i> handlar om k\u00e4rlek och brustna hj\u00e4rtan. I musikvideon till ser vi Cillian Murphys uttrycksl\u00f6sa ansikte som ramar in melankolin. Med best\u00e4mdhet drar Regan \u00f6ver pianotangenterna och sl\u00e5r p\u00e5 str\u00e4ngarna till sin gura.<\/span>
\n<\/span>
\n<\/span>Det \u00e5terh\u00e5llna k\u00e4nnetecknar Regan. <\/span>Up Into The Rafters<\/span><\/i>, vars refr\u00e4ng markeras av Regans ylande, \u00e4r en vacker, men okomplicerad bit.\u00a0<\/span>Cape Of Diamonds<\/span><\/i> och <\/span>Babushka-Yai Ya<\/span><\/i> har en orkestral inramning. Regan backas upp av en \u00a0stormanna-orkester med trumpeter, cellos och fioler. Resultatet \u00e4r m\u00e4ktigt. \u00a0<\/span>Sista l\u00e5ten, instrumentala <\/span>Tsuneni Ai, <\/span><\/i>skvallrar \u00e5t vilket h\u00e5ll han kan t\u00e4nkas g\u00e5 h\u00e4rn\u00e4st. Det suggestiva f\u00e5ngar lyssnaren och sprider ett lugn. \u00a0<\/span><\/p>\n

The Meetings Of The Waters \u00e4r modern folk som utmanar och griper tag. Regan \u00e4r folkartisten vars musikhj\u00e4rta aldrig skola sluta sl\u00e5.\u00a0<\/span><\/p>\n

Petter Stjernstedt<\/span>
\n<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Artist\u00a0Fionn Regan Titel The Meetings Of The Waters Betyg 4 Release April Melankoli, tragik och k\u00e4rlekens enigma. Fionn Regan trycker p\u00e5 v\u00e5ra sm\u00e4rtpunkter. Med k\u00e4nsla f\u00f6r det filmiska skapar han musik f\u00f6r dr\u00f6mmare. Folk blandas med akustiskt som blandas med electro. The Meeting of The Waters\u00a0f\u00e5ngar lyssnaren och l\u00e4mnar avtryck. Han \u00e4r irl\u00e4ndaren som 26 […]<\/p>\n","protected":false},"author":40,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,22],"tags":[],"class_list":["post-108944","post","type-post","status-publish","format-standard","category-musik","category-skivor","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/108944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=108944"}],"version-history":[{"count":10,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/108944\/revisions"}],"predecessor-version":[{"id":110925,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/108944\/revisions\/110925"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=108944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=108944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=108944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}