{"id":105597,"date":"2016-11-01T17:04:38","date_gmt":"2016-11-01T16:04:38","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=105597"},"modified":"2016-11-01T17:04:38","modified_gmt":"2016-11-01T16:04:38","slug":"filmrecension-paulina-ett-argentinskt-drama","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=105597","title":{"rendered":"Filmrecension: Paulina \u2013 ett argentinskt drama"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/11\/paulina.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/11\/paulina.jpg\" alt=\"paulina\" width=\"188\" height=\"268\" class=\"aligncenter size-full wp-image-105598\" \/><\/a><\/p>\n<p>Paulina<br \/>\nBetyg 4<br \/>\nSvensk premi\u00e4r 4 november 2016<\/p>\n<p>I samma vecka som vi har en p\u00e5ve fr\u00e5n Argentina  p\u00e5 bes\u00f6k  har den argentinska  filmen Paulina premi\u00e4r.  N\u00e4r p\u00e5ven talar om f\u00f6rl\u00e5telse talar filmen om f\u00f6rst\u00e5else.   Filmen \u00e4r regisserad av Santiago Mitre och \u00e4r inspirerad av den legendariska filmen La Patota av Daniel Tiayre (1960).<\/p>\n<p>Det \u00e4r en film om hur idealen kan krocka med verkligheten. I filmens inledning har fadern och dottern, Paulina, en h\u00e4tsk diskussion.  Paulina vill delta som l\u00e4rare i ett demokratiprojekt p\u00e5 landsbygden.  Fadern, som \u00e4r en h\u00f6gt uppsatt domare anser att hon kastar bort sin lovande juridiska karri\u00e4r. N\u00e4r Paulina \u00e4nd\u00e5 \u00e5ker till projektet i en fattig och eftersatt del av Argentina visar sig problemen snabbt. Politik och r\u00e4ttigheter \u00e4r sv\u00e5rt att intressera fattiga ton\u00e5rsungdomar f\u00f6r. En kv\u00e4ll blir Paulina v\u00e5ldtagen av ett g\u00e4ng unga m\u00e4n. Hon g\u00e5r snart tillbaka som l\u00e4rare men k\u00e4nner sig os\u00e4ker om eleverna.  Envetet v\u00e4grar hon g\u00f6ra polisanm\u00e4lan trots p\u00e5tryckningar.  Du \u00e4r ett offer ingen hj\u00e4lte s\u00e4ger fadern.  Psykologen undrar om hon lider av Stockholmssyndromet, det vill s\u00e4ga har identifierat sig med f\u00f6r\u00f6varna. <\/p>\n<p>Dolorez Fonzi g\u00f6r en Paulina som b\u00e5de \u00e4r stark och sk\u00f6r. Hon g\u00f6r sina val mellan ideal och verklighet.  Bland \u00f6vriga sk\u00e5despelare \u00e4r Esteban Lamothe, g\u00e4ngledaren, den som v\u00e4cker mest k\u00e4nslor. Milj\u00f6n p\u00e5 den argentinska landsbygden k\u00e4nns s\u00e5  \u00e4kta som en dokument\u00e4r.  Filmen har vunnit flera internationella priser och \u00e4r mycket sev\u00e4rd.<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nOIMJ9kErpc\" frameborder=\"0\" allowfullscreen><\/iframe>    <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paulina Betyg 4 Svensk premi\u00e4r 4 november 2016 I samma vecka som vi har en p\u00e5ve fr\u00e5n Argentina p\u00e5 bes\u00f6k har den argentinska filmen Paulina premi\u00e4r. N\u00e4r p\u00e5ven talar om f\u00f6rl\u00e5telse talar filmen om f\u00f6rst\u00e5else. Filmen \u00e4r regisserad av Santiago Mitre och \u00e4r inspirerad av den legendariska filmen La Patota av Daniel Tiayre (1960). Det [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[50,51,16,20],"tags":[396,1738,13071,12286],"class_list":["post-105597","post","type-post","status-publish","format-standard","category-filmfilm","category-filmer","category-recension","category-film","tag-argentina","tag-filmrecension","tag-paulina","tag-film","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/105597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=105597"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/105597\/revisions"}],"predecessor-version":[{"id":105599,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/105597\/revisions\/105599"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=105597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=105597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=105597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}