{"id":102639,"date":"2016-06-16T12:14:39","date_gmt":"2016-06-16T11:14:39","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=102639"},"modified":"2016-06-16T12:15:08","modified_gmt":"2016-06-16T11:15:08","slug":"doktor-glas-i-ny-bearbetning-premiar-109","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=102639","title":{"rendered":"Doktor Glas i ny bearbetning s\u00e4tts upp p\u00e5 Uppsala stadsteater"},"content":{"rendered":"<figure id=\"attachment_102640\" aria-describedby=\"caption-attachment-102640\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/06\/hjalmarsoderberg.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/06\/hjalmarsoderberg-300x237.jpg\" alt=\"Hjalmar S\u00f6derberg, tidigt 1900-tal.\" width=\"300\" height=\"237\" class=\"size-medium wp-image-102640\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/06\/hjalmarsoderberg-300x237.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/06\/hjalmarsoderberg.jpg 427w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-102640\" class=\"wp-caption-text\">Hjalmar S\u00f6derberg, tidigt 1900-tal.<\/figcaption><\/figure>\n<p>Klassikerromanen Doktor Glas \u00e4r laddad med stora fr\u00e5gor f\u00f6r sin tid \u2013 och f\u00f6r v\u00e5r tid. I september kommer den f\u00f6rsta nya bearbetningen till teaterscenen p\u00e5 trettio \u00e5r. Uppsala stadsteaters Aksel Morisse, som ocks\u00e5 g\u00f6r rollen som Doktor Glas, och regiss\u00f6r Mikaela Ramel, st\u00e5r f\u00f6r bearbetningen.<\/p>\n<p>Ett pressmeddelande:<br \/>\nMikaela Ramel: Doktor Glas \u00e4r en ber\u00e4ttelse om gott och ont, om makt och k\u00e4rlek, om de stora fr\u00e5gorna som g\u00f6r att en m\u00e4nniska m\u00e5ste orientera sig moraliskt och m\u00e4nskligt. Vi lever i en \u00e5siktsm\u00e4ttad tid, d\u00e4r vi tycker s\u00e5 \u00f6vertygat och mycket. Vi \u00e4r ofta f\u00f6rd\u00f6mande och kategoriska, vilket l\u00e4mnar lite plats f\u00f6r tvekan och ambivalens. D\u00e4r har doktor Glas en sj\u00e4lvklar komplicerande plats.<\/p>\n<p>Aksel Morisse: Hjalmar S\u00f6derbergs text behandlar fr\u00e5gor som diskuteras h\u00f6gljutt idag. J\u00e4mst\u00e4lldhet, genus och r\u00e4tten till sitt eget liv och sin egen kropp. Oavsett tiden som g\u00e5tt f\u00f6rbluffas man av S\u00f6derbergs tontr\u00e4ff i beskrivningen av det m\u00e4nskliga psyket n\u00e4r hans doktor f\u00f6rs\u00f6ker r\u00e4ttf\u00e4rdiga sina handlingar i denna thriller.<\/p>\n<p>Doktor Glas har premi\u00e4r p\u00e5 Kulturnatten i Uppsala, 10 september<\/p>\n<p>Av: Hjalmar S\u00f6derberg<br \/>\nBearbetning: Aksel Morisse och Mikaela Ramel<br \/>\nRegi: Mikaela Ramel<br \/>\nMedverkande: Aksel Morisse<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Klassikerromanen Doktor Glas \u00e4r laddad med stora fr\u00e5gor f\u00f6r sin tid \u2013 och f\u00f6r v\u00e5r tid. I september kommer den f\u00f6rsta nya bearbetningen till teaterscenen p\u00e5 trettio \u00e5r. Uppsala stadsteaters Aksel Morisse, som ocks\u00e5 g\u00f6r rollen som Doktor Glas, och regiss\u00f6r Mikaela Ramel, st\u00e5r f\u00f6r bearbetningen. Ett pressmeddelande: Mikaela Ramel: Doktor Glas \u00e4r en ber\u00e4ttelse [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20,30],"tags":[1327,4955,12288,6117],"class_list":["post-102639","post","type-post","status-publish","format-standard","category-film","category-teater","tag-doktor-glas","tag-scenkonst","tag-teater","tag-uppsala-stadsteater","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/102639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=102639"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/102639\/revisions"}],"predecessor-version":[{"id":102642,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/102639\/revisions\/102642"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=102639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=102639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=102639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}