{"id":100300,"date":"2016-02-16T20:01:19","date_gmt":"2016-02-16T19:01:19","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=100300"},"modified":"2016-02-16T20:01:19","modified_gmt":"2016-02-16T19:01:19","slug":"skivrecension-the-hanged-man-lord-have-mercy","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=100300","title":{"rendered":"Skivrecension: The Hanged Man &#8211; Lord Have Mercy"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/?attachment_id=100301\" rel=\"attachment wp-att-100301\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-100301\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/hanged-300x213.jpg\" alt=\"hanged\" width=\"300\" height=\"213\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/hanged-300x213.jpg 300w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/hanged.jpg 580w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Artist: The Hanged Man<\/strong><br \/>\n<strong> Titel: Lord Have Mercy<\/strong><br \/>\n<strong> Betyg: 4<\/strong><\/p>\n<p class=\"p2\"><span class=\"s1\"><i>Som en f\u00f6rh\u00e4xande fantasivarelse\u00a0lockar Rebecka Rolfart in oss i m\u00f6rkret.<\/i><\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">\u00c4ven om <i>Lord Have Mercy<\/i> tar avstamp i en liknande postpunk som debut-EP:n <i>First Quarter Moon<\/i> s\u00e5 st\u00e5r det redan i inledande <i>Darkness Hides Inside<\/i> klart att den tidigare Those Dancing Days- och Vulkano-medlemmen Rebecka Rolfarts soloprojekt The Hanged Man \u00e4r p\u00e5 v\u00e4g i en m\u00f6rkare och mer suggestiv riktning. Det \u00e4r kanske inte lika mycket genomarbetade l\u00e5tar som abstrakta m\u00e4ssor denna g\u00e5ng, men det \u00e4r om\u00f6jligt att inte ber\u00f6ras av hennes hypnotiska, bitvis obehagliga ljudv\u00e4rldar. <i>Invincible Trees<\/i> k\u00e4nns visserligen lite mer l\u00e4ttillg\u00e4nglig och dansant med sina drivande rytmer innan den mynnar ut i ett orov\u00e4ckande outro av noise. Det genomg\u00e5ende intrycket \u00e4r dock att The Hanged Man med de fyra sp\u00e5ren som utg\u00f6r <i>Lord Have Mercy<\/i> bef\u00e4ster sin position som en av landets mest intressanta psykedeliska musiker.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/247043778&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist: The Hanged Man Titel: Lord Have Mercy Betyg: 4 Som en f\u00f6rh\u00e4xande fantasivarelse\u00a0lockar Rebecka Rolfart in oss i m\u00f6rkret. \u00c4ven om Lord Have Mercy tar avstamp i en liknande postpunk som debut-EP:n First Quarter Moon s\u00e5 st\u00e5r det redan i inledande Darkness Hides Inside klart att den tidigare Those Dancing Days- och Vulkano-medlemmen Rebecka [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7,22],"tags":[12670,4664,11398],"class_list":{"0":"post-100300","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-musik","7":"category-skivor","8":"tag-lord-have-mercy","9":"tag-rebecka-rolfart","10":"tag-the-hanged-man","11":"entry"},"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/100300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=100300"}],"version-history":[{"count":1,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/100300\/revisions"}],"predecessor-version":[{"id":100302,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/100300\/revisions\/100302"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=100300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=100300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=100300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}