{"id":100035,"date":"2016-02-04T15:22:07","date_gmt":"2016-02-04T14:22:07","guid":{"rendered":"http:\/\/kulturbloggen.com\/?p=100035"},"modified":"2016-02-04T15:22:22","modified_gmt":"2016-02-04T14:22:22","slug":"kritikerhyllade-medea-live-pa-bio-fran-kungliga-operan","status":"publish","type":"post","link":"https:\/\/kulturbloggen.com\/?p=100035","title":{"rendered":"Kritikerhyllade Medea s\u00e4nds live p\u00e5 bio fr\u00e5n Kungliga Operan"},"content":{"rendered":"<p><a href=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/medealive.jpg\" rel=\"attachment wp-att-100036\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/medealive.jpg\" alt=\"medealive\" width=\"305\" height=\"279\" class=\"aligncenter size-full wp-image-100036\" srcset=\"https:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/medealive.jpg 305w, https:\/\/kulturbloggen.com\/wp-content\/uploads\/2016\/02\/medealive-300x274.jpg 300w\" sizes=\"auto, (max-width: 305px) 100vw, 305px\" \/><\/a><\/p>\n<p>Daniel B\u00f6rtz helt nyskrivna opera blir Euripides antika tragedi fr\u00e5n 431 f. Kr. &#8211; moderniserat av Agneta Pleijel och Jan Stolpe har beskrivits en intensiv psykologisk upplevelse d\u00e4r Medeas rasande, blodiga h\u00e4mnd st\u00e5r i centrum. Den visas p\u00e5 Kungliga Operan och kommer nu att s\u00e4ndas live p\u00e5 bio d\u00e4rifr\u00e5n.<\/p>\n<p>Ett pressmeddelande ber\u00e4ttar:<br \/>\nMedea \u00e4r en historia om k\u00e4rlek, svek och h\u00e4mnd. Medea, som \u00e4r en av v\u00e4rldslitteraturens mest omtalade gestalter, har \u00f6vergett sin egen familj, offrat allt f\u00f6r sin make Jason och kommit som flykting till ett nytt land. V\u00e4l d\u00e4r l\u00e4mnas hon av Jason som bittert f\u00e5r \u00e5ngra sitt beslut.<\/p>\n<p>Upps\u00e4ttningen regisseras av Stefan Larsson, teaterchef p\u00e5 Betty Nansen Teatret i K\u00f6penhamn. Medea \u00e4r hans debut som operaregiss\u00f6r.<\/p>\n<p>Den stora titelrollen kreeras av sopranen Emma Vetter, som f\u00e5tt idel lovord f\u00f6r sin tolkning. Som Jason h\u00f6rs barytonen Karl-Magnus Fredriksson och rollen som Amman g\u00f6rs av Marianne Ekl\u00f6f. Dessutom medverkar Operans solister, 27 damer ur Kungliga Operans k\u00f6r samt Jonas Malmsj\u00f6 som ber\u00e4ttare.<\/p>\n<p>P\u00e5 dirigentpulten st\u00e5r den i Tyskland verksamme Patrik Ringborg, som under 2015 uruppf\u00f6rt Hans Gefors Notorious p\u00e5 G\u00f6teborgsOperan. Ringborg blev SvD:s operapristagare 2014 och toppar tidskriften Opus f\u00e4rska lista f\u00f6r 2015.<\/p>\n<p>Musik: Daniel B\u00f6rtz<br \/>\nText: Euripides<br \/>\nSvensk tolkning: Agneta Pleijel\/Jan Stolpe<br \/>\nDirigent: Patrik Ringborg<br \/>\nRegi: Stefan Larsson<br \/>\nScenografi: Rufus Didwiszus<br \/>\nKostym: Nina Sandstr\u00f6m<br \/>\nLjus: Torben Lendorph<br \/>\nDramaturg: Katarina Aronsson<\/p>\n<p><strong>I rollerna:<\/strong><br \/>\nEmma Vetter (Medea), Karl-Magnus Fredriksson (Jason), John Erik Eleby (Kreon), Niklas Bj\u00f6rling Rygert (Aigeus), Johanna Rudstr\u00f6m (Den ok\u00e4nda unga kvinnan), Jonas Malmsj\u00f6 (Budb\u00e4raren (talroll))<br \/>\nDamer ur Kungliga Operans k\u00f6r<br \/>\nKungliga Hovkapellet<\/p>\n<p>Text: Framf\u00f6rs p\u00e5 svenska med svensk text<br \/>\nBer\u00e4knad l\u00e4ngd: 2 tim 40 min inkl. 1 paus<br \/>\n<strong>Visas: 13 februari 19.00 <\/strong><\/p>\n<p>Foto: Carl Thorborg<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Daniel B\u00f6rtz helt nyskrivna opera blir Euripides antika tragedi fr\u00e5n 431 f. Kr. &#8211; moderniserat av Agneta Pleijel och Jan Stolpe har beskrivits en intensiv psykologisk upplevelse d\u00e4r Medeas rasande, blodiga h\u00e4mnd st\u00e5r i centrum. Den visas p\u00e5 Kungliga Operan och kommer nu att s\u00e4ndas live p\u00e5 bio d\u00e4rifr\u00e5n. Ett pressmeddelande ber\u00e4ttar: Medea \u00e4r en [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[20],"tags":[659,3320,4147],"class_list":["post-100035","post","type-post","status-publish","format-standard","category-film","tag-bio","tag-live","tag-opera","entry"],"_links":{"self":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/100035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=100035"}],"version-history":[{"count":2,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/100035\/revisions"}],"predecessor-version":[{"id":100038,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=\/wp\/v2\/posts\/100035\/revisions\/100038"}],"wp:attachment":[{"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=100035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=100035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kulturbloggen.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=100035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}